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MADE IN INDIA.

Monastery Ritual Bowl with Cosmic Buddha, Garuda and Dorje Atop

SG$538
Includes any tariffs and taxes
Specifications
XQ31
Brass And Copper
Height: 7 inch
Width: 7 inch
Depth: 6.5 inch
Weight 700 gm
Delivery and Return Policies
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

A Vessel of Sacred Purpose

This ritual bowl is more than just a decorative object; it is a vessel infused with spiritual meaning and historical significance. Crafted from brass and copper, its surface is painstakingly adorned with a mosaic of turquoise, coral, and perhaps even lapis lazuli, materials often used in Tibetan and Himalayan art for their symbolic value and believed to possess protective qualities. The bowl's shape and the intricate detail of its embellishments are rooted in centuries of tradition. Such bowls are used in monasteries and during personal practices to hold offerings, purify substances, or as part of elaborate ceremonies designed to invoke blessings and spiritual insight. Each element, from the metalwork to the gemstone settings, has been thoughtfully considered to create an object of beauty and devotion.

Guardians and Symbols of Power

The presence of the Garuda and Dorje atop the bowl speaks to the potent energies it represents. The Garuda, a mythical bird-like creature, holds a prominent place in both Hindu and Buddhist traditions. In Buddhist contexts, the Garuda is often seen as a protector against negative forces and a symbol of strength and freedom from delusion. Its image on this bowl signifies the power to overcome obstacles and the ability to soar above worldly concerns. The Dorje, also known as a Vajra, is a ritual object symbolizing the indestructible nature of enlightenment. It represents the union of skillful means and wisdom, essential for achieving spiritual liberation. Together, the Garuda and Dorje create a protective and empowering presence for the bowl and its contents.

Echoes of the Cosmos

The bowl is further adorned with a representation of the Cosmic Buddha. This imagery alludes to the vastness of the universe and the potential for enlightenment that resides within each individual. These details invite contemplation on the interconnectedness of all things and the possibility of transcending limitations. The meticulous craftsmanship of the bowl, with its combination of precious materials and symbolic imagery, evokes a sense of reverence and awe. It is a reminder of the rich cultural and spiritual heritage from which it originates and an invitation to connect with the deeper meaning of life. Owning such a piece is not just acquiring an artifact but embracing a connection to ancient traditions and timeless wisdom.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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