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MADE IN INDIA.

Sacred Mahakala Conch

$414
Includes any tariffs and taxes
Specifications
ET71
Silver and Copper and Gemstones
Height: 9 inch
Width: 4.5 inch
Depth: 4 inch
Weight 1.10 kg
Delivery and Return Policies
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.
Crafted Copper Iconography This stunning piece showcases the exquisite craftsmanship of Tibetan artisans, blending spiritual significance with artistic beauty. This handcrafted object is more than a decorative item; it is a powerful symbol rooted in centuries of Buddhist tradition. The intricate detailing and the careful selection of materials – silver, copper, and gemstones – reflect the reverence with which such sacred objects are created. Its dimensions measure approximately 9.0 x 4.5 x 4.0 inches, a size that allows for prominent display while retaining its portability.

The Conch Shell in Buddhist Tradition

The conch shell has been an important part of Tibetan culture for centuries. Beyond its aesthetic appeal, it is an instrument blown during rituals, its resonant sound believed to dispel negative energies and invite auspiciousness. The conch holds a place of honor among the eight auspicious symbols in Buddhism, known as the Ashtamangala. In this context, it represents the pervasive sound of the Dharma, the teachings of the Buddha, reaching far and wide to awaken beings from ignorance. The spiral shape itself echoes the path of spiritual evolution, winding upwards towards enlightenment. The use of the conch in spiritual practices traces its roots back to ancient India, where it was associated with deities and considered a symbol of victory and prosperity.

Mahakala: Protector of Dharma

At the heart of this masterpiece is the image of Mahakala, a fierce protector deity within Tibetan Buddhism. Mahakala's name translates to "Great Black One," symbolizing his all-encompassing nature. He is not an evil spirit but rather a powerful guardian of the Dharma, the Buddhist teachings. Often depicted with a wrathful expression, multiple arms, and holding various symbolic implements, Mahakala's fearsome appearance is intended to intimidate negative forces and protect practitioners from obstacles on their spiritual path. He is known to stand on, or hold prostrate figures. These represent the delusion, hatred, and evil that he conquers and keeps under control. A garland of skulls is also common, which symbolizes the unending cycle of rebirth and his power to overcome it. Mahakala is considered an emanation of various Buddhas and Bodhisattvas, including Avalokiteshvara (Chenrezig), the embodiment of compassion. His role is to fiercely safeguard the teachings and practitioners from harm, both internal and external. The presence of Mahakala on this object infuses it with protective energy and serves as a reminder of the unwavering support available to those who walk the path of Dharma.

A Harmonious Blend of Art and Spirituality

This item is more than just a decorative piece; it is a tangible representation of profound spiritual concepts. Display it in your home or meditation space to create an atmosphere of peace, protection, and inspiration. Whether you are a seasoned practitioner of Tibetan Buddhism or simply appreciate the beauty and artistry of sacred objects, this piece is sure to enrich your life. The harmonious blend of materials, craftsmanship, and symbolism makes it a treasured addition to any collection. Copper statues such as this serve as conduits of positive energy and reminders of the path to enlightenment.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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