Seated Bhaishajyaguru Featuring Pale Silver Overtones

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Seated Bhaishajyaguru Featuring Pale Silver Overtones

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Copper has an integral presence in the art and sculpture of Nepal. It is an elite medium, a lot like bronze down South of India, and takes considerable skill to work with. The murti that you see on this page is of the Lord Bhaishajyaguru, popularly called the Healing Buddha. It is a superfine copper number with glistening silver overtones amidst earthy copper hues, each aspect of the form and figure of the Buddha having been sculpted with the greatest precision and attention to detail.

Superb limbs gathered in a fine padmasana. A perfectly erect spine, a silken robe draped over the left shoulder and brought down across the back from the right. A composure of countenance that conveys a seedless samadhi or profound yogic contemplation. Earlobes lengthened by years of accumulated wisdom and close-cropped curls gathered in a stupa-like bun atop the head, making for a soothingly familiar silhouette.

Lord Bhaishajyaguru is called the Healing Buddha because He is the presiding deity over traditional Tibetan medicine. He bears the all-important elixir in a pot, a blend of three nectars concocted to reverse disease, senescence, and death. This He holds in His left hand resting on His lap. Betwixt the fingers of His right hand is the myrobalan sprig, a crucial ingredient to all such elixirs expounded in the traditional medical texts. These two elements distinguish the Bhaishajyaguru iconography from the regular seated Buddha compositions.

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Specifications

	ZEN944
	Copper Statue From Nepal
	Height: 10.6 inch
	Width: 5.2 inch
	Depth: 7 inch
	Weight 2.20 kg

Delivery and Return Policies

	Returns and Exchanges accepted within 7 days
	Free Delivery

Easy Returns

Return within 7 days of
order delivery.See T&Cs

Fully Insured

All orders are fully insured
to ensure peace of mind.

100% Handmade

All products are
MADE IN INDIA.

Embodiment of Healing and Compassion

This exquisite copper statue from Nepal captures the serene presence of Bhaishajyaguru, the Buddha of Medicine. Seated in a meditative posture, the figure emanates an aura of profound peace and boundless compassion. The pale silver overtones of the copper lend a celestial quality to the sculpture, suggesting the divine nature of the subject. Bhaishajyaguru is revered as the master of all medicines, capable of eradicating the diseases of suffering and ignorance. In Buddhist mythology, he presides over the Eastern Pure Land of Lapis Lazuli, a realm of unparalleled beauty and healing. ––––––––––

Artistry and Symbolism

The meticulous craftsmanship evident in this statue speaks to the rich artistic traditions of Nepal. The intricate details of the monastic robe, adorned with delicate patterns, highlight the skill of the artisans. The Buddha's serene countenance, with downcast eyes and a gentle smile, invites contemplation and inner calm. In his left hand, he holds a begging bowl, symbolizing his renunciation of worldly attachments and his commitment to alleviating the suffering of all sentient beings. The right hand rests gracefully, a gesture of generosity and blessing. The lotus base upon which he is seated is a powerful Buddhist symbol, representing purity, spiritual awakening, and the potential for growth and enlightenment even in the most challenging circumstances. The lotus, blooming unblemished from muddy waters, signifies the Buddha's ability to rise above the defilements of the world. ––––––––––

A Beacon of Hope and Serenity

The presence of Bhaishajyaguru is often invoked for healing, both physical and spiritual. His mantras are believed to possess potent curative properties, and devotion to him is said to bestow protection from illness and misfortune. This statue serves as a tangible reminder of his benevolent power and his promise of liberation from suffering. Originating from Nepal, a land deeply steeped in Buddhist philosophy and artistic heritage, this copper statue is more than just a decorative object; it is a conduit to the sacred, a focal point for meditation, and a source of inspiration for cultivating inner peace and well-being. Its dignified presence can transform any space into a sanctuary of tranquility and a testament to the enduring power of compassion.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.

At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.

The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.

The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.