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(Tibetan Buddhist Deity) Amitayus - Buddha of Long Life

$450
Includes any tariffs and taxes
Specifications
RX90
Copper Sculpture Gilded with 24 Karat Gold
Height: 8.5 inch
Width: 3.5 inch
Depth: 6 inch
Weight 1.20 kg
Delivery and Return Policies
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

The Buddha of Boundless Life

Behold this exquisite sculpture, a radiant embodiment of Amitayus, the Buddha of Infinite Life. This masterfully crafted piece, sculpted from rich copper and gilded with a lustrous layer of 24-karat gold, emanates an aura of serene power and eternal well-being. Seated in a graceful posture of meditation upon a multi-tiered lotus pedestal, Amitayus holds in his hands a vase containing the nectar of immortality, symbolizing his ability to grant long life and freedom from the cycles of suffering. His serene expression, downcast eyes, and gentle smile convey profound compassion and wisdom, inviting contemplation and inner peace. The intricate details of his ornate crown, flowing robes, and elaborate jewelry speak to his celestial nature and the boundless blessings he bestows.

Embodiment of Longevity and Wisdom

In Tibetan Buddhism, Amitayus is revered as a manifestation of Amitabha, the Buddha of Boundless Light, and is specifically invoked for the attainment of long life, wisdom, and merit. Legends tell of Amitabha vowing to save all sentient beings from the cycle of rebirth, and Amitayus is his aspect dedicated to ensuring that beings have sufficient time and vitality to achieve enlightenment. Devotees often engage in practices and meditations dedicated to Amitayus to overcome obstacles to longevity, such as illness, untimely death, or karmic hindrances. The ritualistic use of the vase of longevity in his depiction symbolizes the dispelling of spiritual ignorance and the nourishment of the body and mind, leading to a more fulfilling and enlightened existence.

Artistry from the Heart of Nepal

This magnificent statue is a testament to the rich artistic heritage of Nepal, a land renowned for its skilled artisans and deep spiritual traditions. Each detail, from the delicate curves of the lotus petals to the finely etched patterns on Amitayus's garments, reflects generations of craftsmanship passed down through families. The use of copper as the base material ensures the statue's durability and resonance, while the application of pure 24-karat gold imbues it with a sacred radiance, catching the light and drawing the eye. This piece is not merely an object of beauty but a sacred vessel, meant to inspire devotion, foster contemplation, and bring the blessings of longevity and spiritual prosperity into any space it graces. Its presence serves as a constant reminder of the pursuit of wisdom and the aspiration for a long and meaningful life.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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