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Tibetan Buddhist Incense Stick Holder

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Name: Tibetan Buddhist Incense Stick Holder
Brand: Exotic India
SKU: ZBN82
Price: 70.00 USD
Availability: InStock

$60.75

$81

25% off

Includes any tariffs and taxes

Notify me when this item is available

Specifications

	ZBN82
	Brass and Copper
	Height: 9.5 inch
	Width: 1 inch
	Depth: 1 inch
	Weight 130 gm

Delivery and Return Policies


	Returns and Exchanges accepted within 7 days
	Free Delivery

Easy Returns

Return within 7 days of
order delivery.See T&Cs

Fully Insured

All orders are fully insured
to ensure peace of mind.

100% Handmade

All products are
MADE IN INDIA.

A Vessel of Sacred Aromas

This exquisite incense holder is more than just a functional object; it is a gateway to tranquility and a testament to the rich spiritual heritage of Tibet. Crafted from a harmonious blend of brass and copper, its cylindrical form is adorned with intricate carvings that evoke a sense of ancient wisdom and divine presence. The warm, earthy tones of the copper are beautifully complemented by the shimmering gold of the brass, creating a visually captivating piece that will enhance any sacred space. ––––––––––––––––––

Symbols of Protection and Enlightenment

The exterior of the holder features a series of detailed motifs. At the top, a prominent crimson bead, perhaps symbolizing the life force or the preciousness of spiritual aspiration, crowns the piece. Banded sections of delicate brass trim encircle the copper body, providing structure and highlighting the artistry. Between these bands, panels showcase evocative imagery. One panel depicts a figure in a meditative posture, possibly a representation of a bodhisattva or a venerated lama, a reminder of compassion and the path to enlightenment. Another panel is embellished with fierce yet protective faces, often associated with Dharmapala, the wrathful deities who guard the Dharma and ward off obstacles on the spiritual path. These figures, reminiscent of the mythical Garudas or Makaras, are believed to possess immense power, offering a shield against negativity and promoting spiritual progress. ––––––––––––––––––

A Touch of Ancient Craftsmanship

The artistry extends to the small yet significant details. Tiny red accents are strategically placed, offering pops of color and perhaps representing the vital energies that flow through the universe. A delicate brass chain is attached to the side, adding a touch of elegance and suggesting a connection to prayer wheels or other devotional implements. This chain hints at the practical aspect of the holder, allowing it to be secured or perhaps even carried during processions. The overall design speaks to a tradition where even the most utilitarian objects are imbued with profound meaning and artistic expression, reflecting the Tibetan belief that beauty and devotion are intertwined. ––––––––––––––––––

Elevating Your Meditation Practice

Imagine the soft glow of candlelight illuminating the detailed carvings as the fragrant smoke of incense gently rises. This holder is designed to contain and direct the aromatic wisps, allowing them to fill your meditation room with a sense of peace and sacredness. The act of lighting incense itself is a ritual, a way to purify the space and the mind, inviting focus and deeper introspection. This holder, with its ancient symbolism and masterful craftsmanship, serves as a tangible link to the profound meditative traditions of Tibetan Buddhism, helping to create an atmosphere conducive to spiritual growth and inner harmony. It is a beautiful and meaningful addition for anyone seeking to deepen their connection to the divine and cultivate a more mindful existence.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.

At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.

The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.

The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.