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Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
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to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

Tibetan Buddhist Monestary Trumpet

HK$2143
Includes any tariffs and taxes
Specifications
ZCU55
Copper and Brass Statue
Height: 4 inch
Width: 20.8 inch
Depth: 4.3 inch
Weight 540 gm
Delivery and Return Policies
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

Echoes of the Himalayas: A Sacred Trumpet's Legacy

This striking artifact, crafted from a rich blend of copper and brass, is more than just a decorative piece; it is a tangible link to the profound spiritual and cultural traditions of Tibetan Buddhism. Its form evokes the powerful horns used in monastic rituals, instruments that have resonated through centuries of prayer, meditation, and ceremony, guiding monks and devotees in their spiritual journeys. The trumpet's design speaks volumes about its intended use and symbolic significance. The broad, open end, reminiscent of a mythical creature's maw, is believed to symbolize the expulsion of negativity and the awakening of the mind. The intricately etched patterns adorning its body, particularly the repeating motifs that resemble peacock feathers, are deeply symbolic in Tibetan art. The peacock, with its iridescent plumage, is often associated with wisdom, compassion, and the radiant beauty of enlightenment. These detailed carvings invite contemplation and connect the viewer to the aesthetic principles that underpin Tibetan sacred art, where every element carries meaning. The flared mouthpiece at the other end, designed for the human breath, is a conduit for sacred sound. In Buddhist traditions, the resonant tones of such instruments are said to purify the environment, dispel obstacles, and draw forth positive energies. They are an integral part of tantric rituals, used to punctuate chants, invoke deities, and mark significant moments in spiritual practice. The deep, sonorous notes produced by these trumpets are thought to awaken the listeners, drawing them closer to a state of mindfulness and spiritual awareness. The presence of a delicate chain attached to the instrument suggests it was meant to be carried with reverence, perhaps by a monastic official or a spiritual leader during processions or ceremonies. This detail enhances its historical and cultural context, painting a picture of its active role within a monastic community. The metallic sheen of copper and brass, combined with the detailed artistry, creates an object of both power and beauty, intended to inspire awe and devotion. Whether displayed as a captivating piece of art or contemplated for its rich spiritual heritage, this trumpet serves as a powerful reminder of the enduring traditions and the profound spiritual depth found in the Himalayan regions. It is an object that carries the weight of history and the resonance of countless sacred sounds, offering a glimpse into a world where art, spirituality, and everyday life are deeply intertwined.

A Glimpse into Ritual and Symbolism

The use of musical instruments in religious ceremonies is a practice found across many cultures and faiths. In Tibetan Buddhism, however, these instruments often transcend mere musical accompaniment. They are imbued with spiritual power and serve as vehicles for intention and transformation. The great horns, known as dungchen, played during important festivals and ceremonies in monasteries across Tibet and the Himalayas, can be heard for miles, their deep, resonant tones a powerful invocation. This particular piece, while smaller in scale, captures the essence of these sacred instruments, bringing a piece of that profound ritualistic atmosphere into your space. The meticulous craftsmanship, with its combination of hammered copper and polished brass, speaks to the skill of the artisans and the value placed upon such sacred objects. Each etched line and raised detail contributes to its visual narrative, inviting a closer examination and a deeper appreciation of its artistry and spiritual significance.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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