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Tibetan Buddhist Prayer Wheel on Vishva-Vajra Stand (Made in Nepal)

$254.25
$339
25% off
Includes any tariffs and taxes
Specifications
ZCZ35
Brass, Copper with Inlay Statue
Height: 10.1 inch
Width: 7.6 inch
Depth: 7.6 inch
Weight 1.54 kg
Delivery and Return Policies
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

An Emblem of Spiritual Devotion

Crafted in the spiritual heartland of Nepal, this exquisite Tibetan Buddhist Prayer Wheel stands as a testament to enduring faith and artistic mastery. Constructed from brass and copper, its surfaces are intricately adorned with vibrant inlays of turquoise and coral, colors that echo the celestial bodies and the precious stones believed to hold protective and spiritual energies. The wheel is meticulously designed, its cylindrical body encircled by ornate patterns and golden motifs, each telling a silent story of devotion. The crowning jewel is its spire, a multi-faceted pinnacle capped with segments of contrasting hues, reminiscent of the Dharma wheel itself.

The Auspicious Vishva-Vajra Stand

The prayer wheel rests upon a robust stand shaped as the Vishva-Vajra, also known as the Double Dorje or Crossed Vajra. In Tibetan Buddhism, the Vajra (dorje) symbolizes indestructibility, unwavering spiritual strength, and the ultimate reality that cuts through ignorance. The Vishva-Vajra, with its four spokes extending outwards in cardinal directions, represents the enlightened activity of all Buddhas and Bodhisattvas, embodying their boundless compassion and wisdom that pervades the entire universe. This powerful symbol anchors the prayer wheel, suggesting that its spiritual vibrations radiate in all directions, bringing peace and blessings. The stand itself is cast in brass, its metallic sheen complementing the rich colors of the prayer wheel, and its form subtly detailed to evoke ancient craftsmanship.

Echoes of Ancient Mantras and Blessings

The tradition of the prayer wheel, or 'Mani wheel', is deeply rooted in Tibetan Buddhism. It is believed that spinning a prayer wheel imbues it with the power of the mantras inscribed within its cylinder. The most common mantra is "Om Mani Padme Hum," a profound invocation of compassion and wisdom associated with Avalokiteshvara, the Bodhisattva of Compassion. Each rotation is said to be equivalent to reciting the mantra aloud, generating merit, purifying negative karma, and accumulating spiritual wisdom. It is a practice that extends blessings and positive energy to all sentient beings. The vibrant colors used in the inlay are not merely decorative; turquoise is often associated with the sky and the heavens, while red signifies life force and vitality.

A Confluence of Art and Spirituality

This prayer wheel is more than just a religious artifact; it is a piece of art that carries the weight of centuries of spiritual practice and cultural heritage. The meticulous inlay work, the resonant tones of the brass and copper, and the symbolic significance of the Vishva-Vajra stand combine to create an object of profound beauty and spiritual power. It serves as a focal point for meditation, a reminder of the path to enlightenment, and a conduit for transmitting positive vibrations into its surroundings. Displayed in a home or meditation space, it invites contemplation and fosters an atmosphere of peace and serenity, connecting the practitioner to the timeless wisdom of Tibetan Buddhism.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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