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Two Armed Kajupa Mahakala Copper Statue -Made in Nepal

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Standing against inflaming aureole that brings a dramatic aesthetics to the composition, this handmade copper statue from Nepal belongs to Kajupa Mahakala, a protector deity of the Karma Kagyu school of Vajrayana Buddhism. Mahakala holds a chopper in his hand, symbolizing the severing of negative thoughts, and carries a skull while standing on bodies, depicting his victory over death. A brilliant use of colors on the whole icon lends it with a sense of animation, which amplifies the aura of the mighty Buddhist protector.

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Specifications
ZEM847
Copper Sculpture gilded with 24 Karat Gold
Height: 13 inch
Width: 4.2 inch
Depth: 10.5 inch
Weight 3.70 kg
Delivery and Return Policies
Ships in 1-3 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

The Ferocious Protector: Mahakala's Vigilant Presence

This awe-inspiring copper statue embodies the wrathful aspect of Avalokiteshvara, the Bodhisattva of Compassion, revered in Tibetan Buddhism as Mahakala. Known as the "Great Black One," Mahakala is a powerful protector deity, a manifestation of compassion that confronts and vanquishes the obstacles and negativities that hinder spiritual progress. This two-armed rendition, skillfully crafted in Nepal, captures the dynamic energy and fearsome visage that defines this revered figure. The statue is meticulously sculpted from copper and then lavishly gilded with 24-karat gold, lending it a radiant and divine aura. Mahakala's fierce expression, with bared fangs and a formidable third eye signifying profound insight, is a testament to his role in overcoming ignorance and delusion. His dynamic posture, with one leg raised and the other firmly planted, conveys a sense of unstoppable momentum, symbolizing his relentless pursuit of dispelling negativity. The swirling nimbus of flames that surrounds him represents the purification fire that consumes all impurities and obscurations.

Iconography and Symbolism: Unveiling Deeper Meanings

The iconography of Mahakala is rich with symbolic meaning. In his hands, he often holds attributes that signify his power and purpose. Here, he clutches a skull cup, representing the emptiness of all phenomena and the transcendence of ego. The symbolic representations on the base, often depicting subjugated demons or beings, highlight Mahakala's dominion over the forces that impede enlightenment. His wrathful form is not one of anger or malice, but rather an expression of his fierce dedication to protecting practitioners on their spiritual path, clearing the way for liberation. This deity is often invoked in rituals to remove obstacles, avert misfortune, and safeguard against spiritual and material harm. The artistry of this statue, originating from Nepal, reflects a deep understanding of Buddhist iconography and centuries-old craftsmanship. The intricate details, from the adornments and ornaments Mahakala wears to the expressive features of his face, are executed with remarkable precision. The vibrant colors adorning the flames and the base further enhance the visual impact, drawing the viewer into the powerful presence of this protector deity. This piece serves not only as a devotional object but also as a remarkable work of art, a tangible representation of profound spiritual concepts.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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