Vajrapani From Nepal
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Vajrapani From Nepal

$2489.25
$3319
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Revered in the Serpa monastery in Tibet, Dorje Ta’og or Dragpo is the inner form of Guru Padmasambhava, who is presented in this Nepalese statue in a dynamic wrathful mood, mounted on a snow leopard who roars magnificently. Dragpo himself has a ferociousness on his face, which is made even more ethereal by his tongue that curves inside his gaping mouth and his three eyes. The flaming aureole around the statue represents the potent presence of Guru Dragpo who is identifiable due to his hat and the Vajra in his hand. 

Specifications
MIU395
COPPER GILDED WITH GOLD
Height: 13.5 inch
Width: 12 inch
Depth: 6 inch
Weight 6.50 kg
Delivery and Return Policies
Usually ships in 6 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

Embodying Invincible Power and Protection

This exquisite statue captures the potent essence of Vajrapani, a revered figure in Mahayana Buddhism. Vajrapani, whose name translates to "Vajra Holder," is a bodhisattva symbolizing the power of the Buddhas. He is the protector of the Buddha's teachings and a formidable dispeller of obstacles and negative forces. His depiction here is a testament to the rich artistic traditions of Nepal, where such sacred imagery is crafted with profound devotion and meticulous skill. The statue is rendered in radiant copper, generously gilded with gold, bestowing upon it a divine aura and a sense of timeless grandeur. The lustrous finish reflects the spiritual light that Vajrapani represents, illuminating the path to enlightenment and shielding devotees from spiritual and material hindrances. The intricate detailing speaks volumes of the artisan's mastery, from the dynamic pose of Vajrapani to the fierce yet protective expression on his face. He is shown in a powerful stance, embodying the unyielding strength and determination required to overcome ignorance and attachment.

Symbolism and Divine Presence

The fiery halo encircling Vajrapani signifies his immense energy and the transformative power of wisdom that burns away all delusion. His fierce countenance, complete with bared teeth and bulging eyes, is not meant to inspire fear but to represent his overwhelming power to vanquish inner demons and external negativities. The presence of a third eye on his forehead further emphasizes his profound insight and omniscient awareness. His posture, trampling a mythical beast, symbolizes his complete mastery over all negative forces and his ability to subdue them. This powerful imagery draws from ancient traditions where such powerful deities were invoked to provide protection and spiritual guidance. In Tibetan Buddhist lore, Vajrapani is often depicted as a wrathful emanation, appearing in this form to protect the Dharma and its practitioners from those who would seek to undermine it. This portrayal serves as a powerful reminder of the inner strength and vigilance needed on the spiritual journey. This magnificent sculpture, a product of Nepalese artistry, is more than just an object of beauty; it is a conduit of spiritual energy and a symbol of unwavering protection. Bringing this representation of Vajrapani into your space is an invitation to embrace his protective blessings and to cultivate your own inner power and resilience. Its presence can serve as a daily reminder of the forces that protect us and the potential for strength that lies within.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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