White Tara (Tibetan Buddhist Deity) - Made in Nepal

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Name: White Tara (Tibetan Buddhist Deity) - Made in Nepal
Brand: Exotic India
SKU: ZCR67
Price: 150.00 USD
Availability: InStock

$129.75

$173

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Specifications

	ZCR67
	Copper Statue Gilded with 24 Karat Gold
	Height: 6.2 inch
	Width: 4.7 inch
	Depth: 2.7 inch
	Weight 600 gm

Delivery and Return Policies


	Returns and Exchanges accepted within 7 days
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Fully Insured

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100% Handmade

All products are
MADE IN INDIA.

Embrace Compassion and Longevity with White Tara

This exquisite statue embodies White Tara, a revered Tibetan Buddhist deity, a divine female bodhisattva known as the "Mother of Liberation." Her serene countenance and graceful posture exude an aura of peace, compassion, and infinite wisdom. Crafted in Nepal, a land steeped in spiritual tradition, this piece is more than just a decorative object; it is a conduit for blessings and a reminder of the boundless potential for enlightenment within us all. The tradition of Tara dates back to ancient India, where she is said to have emerged from the tears of Avalokiteshvara, the Bodhisattva of Compassion, as he wept for the suffering of the world. Her compassionate gaze and outstretched hands symbolize her readiness to alleviate all forms of suffering, particularly those born of fear, illness, and ignorance. White Tara, in particular, is associated with longevity, healing, and purification, making her a powerful figure to invoke for well-being and a long, healthy life. She is often depicted with a white complexion, representing purity and the moon's coolness, and with seven eyes – three on her forehead, and one each on her palms and soles – symbolizing her omnipresent awareness and ability to see all beings and their needs.

A Testament to Skilled Craftsmanship

This statue is meticulously fashioned from high-quality copper, a material known for its durability and ability to hold intricate detail. The copper is then lavishly gilded with 24 karat gold, lending the deity a radiant glow that signifies her divine nature and luminous wisdom. The intricate detailing, from the delicate folds of her robes to the serene expression on her face and the regal ornamentation of her crown, speaks to the exceptional skill of Nepalese artisans. The lotus pedestal upon which she sits, a symbol of purity and spiritual awakening, further enhances the sacred aura of the piece. This is a work of art that will not only grace your space but also inspire contemplation and devotion. White Tara is often invoked through mantras, and the very presence of her image can serve as a focal point for meditation and prayer. Her embrace of all beings, regardless of their station, makes her a universal symbol of comfort and support. Whether placed on an altar, a meditation shelf, or a prominent display area, this statue serves as a constant reminder of the power of compassion, the importance of mindfulness, and the promise of spiritual liberation. It is a perfect offering for those seeking peace, health, and a deeper connection to the divine feminine principle.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.

At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.

The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.

The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.