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Years Of Contemplation

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Under the Bodhi tree, the seated Siddhartha Gautama borders on Enlightenment. In one life He has lived the ways of the Shakyamuni, the renunciate, the wanderer and mendicant, and the ascetic. After numberless cycles of birth and death and birth anew, it took him a single glance at well-being, senescence, disease, and death, each juxtaposed against the other, to set off in search of the truth in this lifetime.

The chhavi (image) of the Buddha captured in this sculpture subsumes all of that. All of the suffering that had stained the now pacified citta, the pleasure and the pain alike. He is now steeped in profound contemplation, perfectly withdrawn into the infinitude of samadhi. His legs are gathered in a fine padmasana and a hand rests on His lap, the palm of which faces skyward in keeping with the traditional contemplative stance of Indian yogis. With the other hand, He extends His sparsha (touch) to the bhoomi (earth) beneath Him, calling upon it as witness to His Enlightenment.

Carved from a block of pure homegrown wood, the composition is a deep earthy monotone. Perfect symmetry pervades the Buddha’s shoulders and limbs, from the thoroughly immersed countenance to the lotus pedestal He is seated on. The sheer skill of the sculptor could be deduced from the frontal curvature of the figure’s abdomen and the finesse of the digits.

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Specifications
ZEM935
Wood Carving From Nepal
Height: 12.5 inch
Width: 4.8 inch
Depth: 7.7 inch
Weight 1.60 kg
Delivery and Return Policies
Ships in 1-3 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

A Serene Embodiment of Enlightenment

This exquisite wooden carving, hailing from the heart of Nepal, captures the very essence of profound contemplation and spiritual awakening. The Buddha, depicted in his iconic seated posture, exudes an aura of immense peace and wisdom. His eyes are gently closed, not in slumber, but in deep introspection, suggesting a journey inward that has spanned years, perhaps even lifetimes, of dedicated meditation. The subtle smile gracing his lips hints at the inner joy and liberation that comes from understanding the true nature of existence. This posture, known as the lotus position or Padmasana, is not merely a physical arrangement but a symbolic representation of stability, purity, and the ability to transcend the earthly realm. ––––––––––

The Power of Mudras and Symbolism

The hands of the Buddha are arranged in the Vitarka Mudra, a gesture of discussion, teaching, and the transmission of wisdom. This gesture signifies the Buddha's role as the ultimate spiritual teacher, sharing his profound insights with all beings. Each finger's placement is precise, conveying a message of clarity and logical progression in his teachings. The intricate detailing of the robe, flowing naturally over his form, adds to the lifelike quality of the carving, while also suggesting the humility and simplicity of the enlightened one. The cranial protuberance, the Ushnisha, is a physical manifestation of his spiritual wisdom and enlightenment, a crowning glory earned through arduous spiritual practice. The third eye, often depicted as a dot on the forehead, symbolizes inner vision and the ability to perceive beyond the ordinary, a testament to his profound understanding. ––––––––––

Rooted in Tradition and Craftsmanship

This statue is more than just a beautiful object; it is a tangible connection to centuries of Buddhist art and philosophy. Wood carving has a long and revered history in Nepal, with artisans drawing inspiration from ancient texts and sacred imagery. The skill and dedication poured into this piece are evident in every curve and detail, reflecting a lineage of craftsmanship passed down through generations. The natural patina of the wood adds a warmth and depth, giving the statue a timeless quality. In many cultures, such representations of the Buddha are not just decorative but are central to religious practice, serving as focal points for prayer, meditation, and the cultivation of positive qualities. The lotus base upon which the Buddha sits is a powerful symbol in Buddhism, representing purity and spiritual awakening, as the lotus grows from muddy waters to bloom beautifully above the surface, untouched by the mire. This magnificent carving invites a sense of tranquility and mindfulness into any space it graces, serving as a constant reminder of the path to inner peace and enlightenment.

Sculpting Serenity: Unveiling the Art of Crafting Wood Statues

Wood has been a preferred material for sculptures and statues since ancient times. It is easy to work with than most metals and stones and therefore requires less effort to shape it into any desired shape or form. The texture of the wood gives an element of realism to the sculpture. The selection of an appropriate wood type is necessary for carving. Woods that are too resinous or coniferous are not considered good for carving as their fiber is very soft and thus lacks strength. On the other hand, wood such as Mahogany, Oakwood, Walnut wood, Weet cherry wood, etc., are preferred by sculptors because their fiber is harder. A wood sculptor uses various tools such as a pointed chisel in one hand and a mallet in another to bring the wood to the desired measurement and to make intricate details on it. A carving knife is used to cut and smooth the wood. Other tools such as the gouge, V-tool, and coping saw also serve as important tools in wood carving. Although the wood carving technique is not as complex and tough as stone carving or metal sculpting, nonetheless, a wood carver requires a high level of skills and expertise to create a stunning sculpture.

1. Selecting the right wood

The process of wood carving begins with selecting a chunk of wood that is required according to the type and shape of the statue to be created by the sculptor. Both hardwoods and softwoods are used for making artistic pieces, however, hardwoods are preferred more than softer woods because of their durability and longevity. But if heavy detailing is to be done on the statue, wood with fine grain would be needed as it would be difficult to work with hardwood.
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2. Shaping the wood

Once the wood type is selected, the wood carver begins the general shaping process using gouges of various sizes. A gouge is a tool having a curved cutting edge which is useful in removing large unwanted portions of wood easily without splitting the wood. The sculptor always carves the wood across the grain of the wood and not against it.
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3. Adding detailing

When a refined shape of the statue is obtained, it is time for making details on the statue using different tools. This is achieved by using tools such as a veiner to make and a V-tool to create decorative and sharp cuts.
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4. Surface finishing

Once finer details have been added, the sculptor is ready to smoothen the surface and give it a perfect finish. Tools such as rasps and rifflers are used to get a smooth surface. The finer polishing is obtained by rubbing the surface with sandpaper. If a textured surface is required, this step is skipped. Finally, to protect the statue from excessive dirt accumulation, the sculptor applies natural oils such as walnut or linseed oil all over it. This also brings a natural sheen to the statue.
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How to care for Wood Statues?


Wood is extensively used in sculpting especially in countries like China, Germany, and Japan. One feature that makes the wood extremely suitable for making statues and sculptures is that it is light and can take very fine detail. It is easier for artists to work with wood than with other materials such as metal or stone. Both hardwoods, as well as softwood, are used for making sculptures. Wood is mainly used for indoor sculptures because it is not as durable as stone. Changes in weather cause wooden sculptures to split or be attacked by insects or fungus. The principal woods for making sculptures and statues are cedar, pine, walnut, oak, and mahogany. The most common technique that sculptors use to make sculptures out of wood is carving with a chisel and a mallet. Since wooden statues are prone to damage, fire, and rot, they require proper care and maintenance.

 

  • Wood tends to expand and contract even after it has been processed, thus it is always recommended to keep the wooden sculptures in rooms with little humidity. Excess moisture can harm your masterpiece.

 

  • Periodical dusting of the finished piece is necessary to maintain its beauty as dust accumulation on the surface takes away the shine of the sculpture. You can use a clean and soft cloth or a hairbrush for this purpose.

 

  • You must avoid applying any chemical-based solutions that may damage the wood from the inside. Instead, you can apply lemon oil or coconut oil using a cotton rag to the sculpture to bring out its natural shine. Lemon oil also helps to clean any stains on the sculpture.

 

  • Applying a layer of beeswax protects the wood from sun damage and hides even the smallest imperfections on the wood.

 

It is extremely important to preserve and protect wooden sculptures with proper care. A little carelessness and negligence can lead to their decay, resulting in losing all their beauty and strength. Therefore, a regular clean-up of the sculptures is a must to prolong their age and to maintain their shine and luster. 

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