Lord Shiva and His Divine Family: Stories and Spiritual Lessons

Shiva as the Peacemaker reveals how the God of Destruction becomes the restorer of balance in Hindu mythology. When divine fury threatens creation as in the tales of Narasimha’s rage and Kali’s dance Shiva intervenes with calm strength. Through surrender or stillness, he transforms chaos into peace, embodying the eternal rhythm between destruction and renewal. From calming Narasimha’s fury to halting Kali’s cosmic dance, discover how Shiva transforms chaos into balance revealing the peace within destruction.

The name “Pashupati” or Lord of Animals was made popular by the excavations of one of the oldest civilisations of the world- Harappa. Surrounded by animals, the yogi with a unique headgear was identified as their Pati (Lord). But in the Vedas, Pashupati is not just looking after the animals but all living beings. He is Rudra, the son of Prajapati, who was crowned Pashupati or Pashuman to reign over all the souls, regulate their actions, and guide them toward a righteous life.

Andhakasura was born from the union of Parvati’s sweat and Shiva’s potent heat, in a moment when the great goddesses covered his eyes with her hands playfully, emerging out of the darkness that spread when Shiva’s eyes were closed. Andhaka, due to his blindness and dark colored form, was given to the demon Hiranyaksha, the brother of Hiranyakashyapu, as his son. Andhaka, despite his immense power and boons, born from the divine Shiva and Parvati, was blinded by his ego and lust, leading him to challenge the very forces that created him. However, Shiva’s divine justice not only punished him but also gave him a chance for spiritual transformation, showing that even the gravest sinners can attain grace through sincere penance and devotion.

The 11 Rudra Avatars of Lord Shiva, known as the Ekadasha Rudras, are divine manifestations described in the Shiva Purana. Each Rudra from Kapali and Pingal to Shambhu and Bhava embodies a distinct cosmic power linked to creation, protection, or destruction. Born to aid the gods in battles against demons, the Rudras symbolize Shiva’s role as both protector and destroyer. Learning their names, powers, and significance helps devotees understand Vedic wisdom and deepen spiritual practice.

The 32 forms of Lord Ganesha, as detailed in the ancient Mudgala Purana, each represent unique divine attributes from wisdom and creation to protection and liberation. These forms reflect Ganesha’s multifaceted roles, also offer life lessons rooted in spirituality, devotion, and self-realization. Revered across Asia, from India to Indonesia and Thailand, Lord Ganesha’s manifestations continue to inspire seekers on their spiritual path.

The devotees mostly worship Lord Shiva in the form of Linga or Lingam. So, what is the context behind the linga worship of Lord Shiva? This representation of Shiva is most recognizable to Hindus for their worship and ritual known as the lingam. Hinduism uses the Shiva Linga, a potent symbol that symbolises Lord Shiva's heavenly power. It is a round-topped, cylindrical stone building that represents the cosmic pillar of fire. The essay examines the Shiva Linga's importance and its connection to truth (Satya). It emphasises the idea that realising the ultimate truth and attaining spiritual enlightenment are possible as a result of pure, devotional worship of the Shiva Linga.

"Shiva the Hindu god of destruction is also known as Nataraja, the Lord of Dancers (In Sanskrit Nata means dance and raja means Lord). The visual image of Nataraja achieved canonical form in the bronzes cast under the Chola dynasty in the tenth century AD, and then continued to be reproduced in metal, stone and other substances right up to the present times. The Chola Nataraja is often said to be the supreme statement of Hindu art."

"Contrarily metaphysicians and theologians perceived his form as it manifested in the Upanishads and Puranas….The ‘Advaita’ philosophy also contends that the entire Creation is just the extension of One…. Dance illustrates one of the ever-first cosmic acts with which Shiva seems to have tamed violent motion and separated from it rhythm, moves that communicated emotions and states of mind – human mind and the cosmic, and disciplined and defined pace…. Unlike Vishnu who resorted to dance for accomplishing a contemplated objective, Shiva has been conceived more or less as a regular dancer performing for accomplishing an objective as also for pure aesthetic delight…. Unfurling locks of hair and his snakes floating into space portray the dynamics of the act."

"No epithet, even any contextual to his father Shiva, defines him so completely as does ‘the son of Parvati’....Ganesha himself is the manifest cosmos, duality diluting into his very form – an entirety, a presence beyond act.... Ganesha only assures that ‘Shri’ or Lakshmi, the goddess of riches, shall precede him when his presence is invoked....The innocent looking Ganesha ever remains, essentially and exclusively, the mother-born, the product of an innocent playful mind filled with positive energy desiring creation and effecting it.....Brahma was ordained to create a world of numbers, measurable, subject to rule and that which decayed and had an end....Full of zeal, energy, sportiveness, mischievousness in eyes, carefree disposition, cool, soft, simple, benign, child-like innocent looking Ganesha is essentially the mother’s son – Uma-sutam."

"One should never cultivate the habit of receiving too much respect or honor....It was with reluctance that I gave away my delicate young daughter to him in marriage....Sati Devi, the wife of Shiva, observed numerous airplanes carrying heavily ornamented beautiful women along with their spouses....One should never go the houses of those who look upon the visitor with a frown and angry looks....She burst out into copious tears and with her body trembling looked askance at Shiva as if to burn him down....Concentrating on the lotus feet of her beloved Lord Shiva, she became completely absorbed and lost track of everything else....However the gods and sages were still fearful of facing Shiva....It will find rest only on the shore of absolute faith."

"Shiva's...is the imagery and iconography that evolved over a period of five millennia - perhaps the longest period for an image, or worship tradition, to have evolved and sustained through... Shiva's imagery reveals wondrous unity and unique growth perspective... there is absolute unanimity in regard to the fact that he had iconic presence much before the Vedas came into being... Shiva has been conceived in visual arts as timeless youth, though sometimes with moustaches defining an advanced age and sometimes without them close to juvenescence..."

"Shiva, the Mahadeva, represents...dissolution or destruction of the cosmos...(among) the functional aspects of God, namely, the creation, preservation and dissolution (of the cosmos)... Brahma and Vishnu have their roots in the Vedas, and not before. Shiva has a pre-Vedic origin, as his worship cult seems to have been in vogue amongst the Indus dwellers, even around 3000 B.C... excavated material includes a number of terracotta seals representing a yogi icon and the phallus type baked clay objects...suggestive of some kind of phallus-worship cult of the non-Aryan settlers of the Indus cities... Shiva's divine perception as well as iconic visualization developed into two directions, one growing out of his serene sublime benevolent Saumyarupa and the other out of his awe-striking Raudra-rupa... The violent jungle god of Vedas and the grim looking horn wearing Yogi of Indus emerges upon the altar of the believing ones, on painter's canvas, in metal casters' mould and in the strokes of hammer and chisel, as the harmless Bholanath, the innocence Lord and the good incarnate, as the supreme auspice, the most formidable of divine powers, the paramount lover and the holiest model of the Vedic family cult..."

"Shiva is worshipped in the form of the male organ of procreation, often alone, and frequently conjoined with the corresponding female organ, which is sculpted as a receptacle to receive Shiva's seed... The distinctive sign by which one can recognize the nature of something is called lingam... The linga is... a great equalizer... worshippers, regardless of sex, caste, or creed... (pour) generous libations on the linga, while simultaneously caressing it intimately... Shiva's liberated phallus represents this illuminating power rising heavenward beyond the material world. Thus is the linga likened to a pillar of light, guiding us to true knowledge..."

"God of eroticism, Shiva is... the master of Yoga, which is described as the method used to sublimate virile power and transform it into mental and intellectual power. He is therefore the 'great Yogi.'... 'I have never renounced any vice: it is they who have left me' summarizes the message of Shiva."

The chronicle of Ganesha’s might and glory in Indian religion and Hindu art is unending. Moved by the immensity of Sri Ganesha, Indian artists have handcrafted a range of magnificent Sri Ganesha murtis, which are the best way to feel the presence of Ganesha in your life. Exotic India Art brings to you an assemblage of handmade and divine icons of Parvati-Putra (son of goddess Parvati), sculpted by skilled artists following the established instructions of ancient iconographical traditions. Bring a statue home from our collection and experience living under the protective gaze of Sri Ganesha.