Ram Mandir Architecture: A Story Beyond Brick and Mortar

Ram Mandir Architecture: A Story Beyond Brick and Mortar

(Viewed 49229 times since Jan 2024)

The construction of the Ram Mandir has been completed to a great extent, and the temple is finally nearing the day of its inauguration. With this development, the eyes of the entire world are on how the temple is turning out. It has been going on under the guidance of Chandrakantbhai Sompura, who designed the Akshardham Temple in Gujarat. He is being assisted by his two sons Nikhil Sompura and Ashish Sompura.

There are questions about every aspect of the construction, and we have tried to answer most of them.

Materials Used in the Construction

It seems like the entire country has come together for the construction of the temple. The pink sandstone from Rajasthan was carved by artisans from Orissa for the main temple complex. The granite has been brought in from Karnataka. Teakwood of high quality for the woodwork has been sourced specially from Maharashtra.

In addition to that, bells that will be part of the temple rituals came from Tamil Nadu, and the brassware was procured from Uttar Pradesh. Big names like IIT and Central Building Research Institute are associated with the construction of the temple. In fact, Larsen and Toubro is even offering its services pro bono.


Architecture Style and Features

The architecture of the temple has been influenced from not just North Indian style but also by the South Indian style, and the design has been done keeping the guidelines of Vastu Shastra and Shilpa Shastra in mind.

Mainly, the Nagara style of architecture is being implemented for the construction of the prestigious Ram Mandir. Many temples in India have already been constructed in this style like the Sun Temple in Konark and the temples of Khajuraho.

Along with this, some elements from the Dravidian style of architecture have also been taken and will be reflected in the four temples that will be at the corners of the main complex.

Common features of the Nagara style of architecture include:

  • A Garbhagriha, which is the main room where the idols of the main deities are placed for worship
  • Mandapa, an assembly hall which is traditionally supposed to be at the entrance in front of the garbhagriha
  • A Shikhara, which is a spire at the top of the temple
  • A Vahana, which is the mount of the main deity
  • A Jagati, which is a raised platform upon which the temple complex is constructed.


The temple will have 5 mandapas along with one towering Shikhar. The main deity of the temple will be Ram Lalla, which is the infant form of Lord Ram. There will also be a 14-feet-wide percota that will have corners dedicated to Lord Ganesha, Lord Shiva, Maa Bhagwati, and Surya Dev. There will be three storeys in the temple, and all of them will have a height of at least 20 feet.


In addition to that, more than 300 intricately carved columns will be dedicated to various Gods and Goddesses, like Lord Vishnu and all of his 10 avatars, Devi Saraswati and all her incarnations, Lord Hanuman, the different incarnations of Lord Shiva.

Columns will also be dedicated to sages like Maharishi Valmiki, Maharishi Vishwamitra, Maharishi Agastya, Maharishi Vashisht, and Nishadraj the boatman who helped Lord Ram in crossing river Ganga, and Mata Shabri who served berries to Lord Ram during his exile.

The ground floor has over 150 pillars, and exquisitely intricate carvings are done on each pillar. A very beautiful addition to the temple will be the lower plinth, which will feature depictions from the Ramayana. 


All of this will be part of the main temple complex, which will be constructed in 10 acres. The area surrounding this will be spread across 57 acres. The sprawling complex will be very spacious, and it will be able to accommodate at least 70,000 devotees at a time, which is quite impressive number.

Striking Features about the Construction Process

A notable feature is that iron is not being used at all in the construction process. Even the binding of stones is being done by copper plates. More than two lakh bricks collected from all over India almost thirty years ago, with Sri Ram engraved on them, have been used in the foundation.

The use of modern materials like carbon fiber and steel has been avoided completely. The reason why steel has been avoided is because it is prone to corrosion and is not very durable.


Challenges faced in the construction of Ram Mandir

The soil was loose because of the river Sarayu flowing next to the land. This prevented the foundation of the temple from being solid.

To overcome this the sand was removed completely, and the empty area was filled with a mixture of concrete to create a foundation that was strong and sturdy. This concrete mixture was created without any use of iron. 


Another challenge faced was that while the architects wanted to build the Ram Mandir along the lines of the architecture of ancient temples, they did not have any blueprints of their designs. The architects did not have any written guidelines to follow. They had to come up with new designs and details based on their existing knowledge.

Conclusion

From the style of architecture being inspired by ancient temples to the exclusion of the use of modern materials, the Ayodhya Ram Mandir is connected to the roots of India in every aspect of its construction. It is an architectural marvel that has already made its place in the hearts of millions of people who wait for its inauguration with bated breath. 

Share Post:
Add a review

Your email address will not be published *

Popular Articles
Green Tara and White Tara: Feminine Ideals in Buddhist Art
"Goddess Tara, a female Buddha and meditational deity, is arguably the most popular goddess in the Buddhist pantheon. She is considered to be the goddess of universal compassion who represents virtuous and enlightened activity. The word Tara itself is derived from the root 'tri' (to cross), hence the implied meaning:' the one who enables living beings to cross the Ocean of Existence and Suffering'. Her compassion for living beings, her desire to save them from suffering, is said to be even stronger than a mother's love for her children."
Published in Sep 2021
Women and Jewelry - The Spiritual Dimensions of Ornamentation
Indeed, rarely is a traditional Indian ornament simply decorative and devoid of inherent meaning or symbolic value. Symbols found in Indian Jewelry act as a metaphorical language communicated from the wearer to the viewer. Such jewelry is created from an infinite reserve of symbolically significant forms and images, some obvious, some subtle, and some whose meaning is forgotten. Complementary to such thought is the conventional view where the graceful form of a woman is said to epitomize the ideal beauty and mystery inherent in nature. Thus, befittingly each and every part of the feminine physique including the head, torso, limbs, and between the appended parts - have consistently been used to support ornaments, often in ingenious ways.
Published in Mar 2002
Every Woman a Goddess - The Ideals of Indian Art
"...the originator of families, the preserver of the established order and the perpetuator of traditions...As the Great Goddess rules the heavens, her earthly counterpart, the woman, rules the home..." The living traditions of India have always identified the female of the species with all that is sacred in nature. But it is not always the warrior woman who is identified with the goddess, but also woman as playful, lovable, and of course as the Mother. In a delightful vein it is conjectured that the kick of a woman is sufficient and necessary for blossoms to spring from the sacred Ashoka tree.
Published in Jan 2002
Subscribe to our newsletter for new stories