Subscribe for Newsletters and Discounts
Be the first to receive our thoughtfully written
religious articles and product discounts.
Your interests (Optional)
This will help us make recommendations and send discounts and sale information at times.
By registering, you may receive account related information, our email newsletters and product updates, no more than twice a month. Please read our Privacy Policy for details.
.
By subscribing, you will receive our email newsletters and product updates, no more than twice a month. All emails will be sent by Exotic India using the email address info@exoticindia.com.

Please read our Privacy Policy for details.
|6
Sign In  |  Sign up
Your Cart (0)
Best Deals
Share our website with your friends.
Email this page to a friend
Books > History > Architecture > North India Period of Early Maturity - Encyclopaedia of Indian Temple Architecture (Set of 2 Books) - An Old and Rare Books
Subscribe to our newsletter and discounts
North India Period of Early Maturity - Encyclopaedia of Indian Temple Architecture (Set of 2 Books) - An Old and Rare Books
Pages from the book
North India Period of Early Maturity - Encyclopaedia of Indian Temple Architecture (Set of 2 Books) - An Old and Rare Books
Look Inside the Book
Description

Part - 1

Preface

By A.D. 700, architects in Northern India had already created a unique architectural form for the temple, condensing a range of past cosmogonic and cosmological symbolisms into the rich decorative morphology of the temple itself.' This "Latina-Nagara" type of temple (see frontispiece, p. ix) combined the axis of a world-pillar, the cube of a sacrificial altar, and the body of a palace to house an image of divinity that was presented in visible form within its sanctum. Its distinctive high curved superstructure quickly dominated the North Indian skyline, from west to east and from the Himalayan foothills to the upper Deccan. Preliminary stages in the evolution of this form, as well as a variety of the alternative types and traditions of temple structures that survived in Northern India throughout its history, have been presented in the first set of volumes in this series (Vol. Il, pt. 1, "Foundations of North Indian Style").

The range of eighth- and ninth-century temples covered by this present set represents what we have designated the "Period of Early Maturity," in part following a phrase used by Stella Kramrisch for classical Indian sculpture. The Latina temple does reach maturity in this phase, its form understood and expressed in a variety of regional idioms by architects patronised by political powers intent on incorporating and marking both territory and populations within their growing hegemony. Building these temples gave merit to their individual patrons, provided a powerful tool for communities of priests, and helped both validate and perpetuate a growing "State" order, in part by helping to incorporate lineage clans within a broader social order.

Ripe and self-fulfilling in its symbolic structure, the temple in this period still required architects to work out a number of practical issues concerning how it could be used. Interior spaces along a longitudinal "axis of access" evolved from a simple sheltered portico in front of the sanctum door to a variety of sheltering halls and covered entries; circumambulatory spaces were provided first by open platforms or as paths incorporated within the fabric of the temple itself. Balconies allowed light into these ambulatory paths and halls; and screened windows sometimes were used to filter light and provide ventilation. A proliferation of niches, on the interior as well as on exterior walls, also allowed priests to elaborate increasingly complex and particularized iconographic programs for use in rituals. While something is known, however, of the histories of the hegemonic powers -Pratiharas, Cahamanas, etc. - within whose reigns these temples were built, we know very little about the priests or communities that they were built to serve.

While sharing always a symbolic potency and form, temples in the period separate into major stylistic groupings in different regions as well as showing significant and continual idiomatic variation. Central and western of North India seem to have extended to large degree the decorative and aesthetic traditions developed in territories ruled previously by Gupta dynasts; temples in Malwa, Gujarat, and southern Rajasthan instead a number of decorative conventions found previously in Satavahana, Vakataka, and Kalacuri territories in the Deccan. While little could be said in earlier Chapters about such differences in architectural terms, temples form these regions in this period of early maturity share significantly separate canons, as reflected in the following Style Outline used to Outline used to organise this volume:

Style Outline

Vol. II, part 1: Foundations of North Indian
I. Beginnings of North Indian Style, c. A.D. 350-660
II. Varieties of North Indian Style, c. A.D. 500-1100

Vol. II, part 2: North India, Period of Early Maturity
III. Nagara Style of Common Lineage, c. early eight-late ninth century A.D.
A. Central India
1. Gopagiri style, c. eight century A.D. Mauryas of Gopagiri and Kanyakubja
2. Dasarnadesa style,. C. late eighth-ninth century A.D. Gurjara-Pratiharas of Kanyakubja
3. Dahala style, phase 1, c. late eighth-late ninth century A.D. Kalacuris of Tripuri

4. Madhyadesa style, phase 2, c. eithth-ninth centuries A.D. Gurjara-Pratiharas of Kanyakubja
5. Jejakabhukti style, phase 1, c. late ninth-early tenth century A.D. Candellas of Kalanjara and Kharjuravahaka

B. Himacala
Himacala style, phase 1, c. eighth-ninth centuries A.D. Hill Dynasties
C. Western India
Maha-Maru Style, phases 1 & 2, c. A.D. 700-925
1. Marudesa: Pratiharas of Mandavyapura
2. Marudesa: Pratiharas of Jabalipura and Kanyakubja, phase 1
3. Surasena janapada: Surasenas of Sripatha
4. Sapadalaksa: cahamanas of Sakambhari
5. Pratiharas of Kanyakubja and their feudatories, phase 2

D. Uparamala
Malava style, Uparamala, phases 1 & 2, c. A.D. 650-900
1. Mauryas of Medapata and Uparamala
2. Gurjara-Pratiharas and their Maurya feudatories in Malava

IV. Nagara Style of Separate Lineage, c. early eithth-late ninth century A.D.
A. Western India
1. Surastra style, c. early eighth-late ninth century A.D. Saindhavas of Bhutambilika
2. Maha-Gurjara style, phase 2, c. A.D. 700-900
a. Minor dynasties of northern Gujarat
b. Pratiharas of Jabalipura and Bhilamala
c. Capotkatas of Anahillapataka
d. Caps of Vardhamanapura
e. Samas of Kaccha

B. Eastern India
1. Vanga style, phase 1, c. A.D. 700-900: Palas
2. Kalinga style, phase 2, c. A.D. 700-900: Bhauma-Karas

Use of this outline for subsequent volume in this series can tentatively be projected as follows:

Vol. II, part 3
V. Beginnings of Medieval Idiom c. A.D. 900-1000

Vol. II, part 4
VI. High medieval period, c. A.D. 1000-1300
VII. Sultanate period, c. 14th -16th centuries A.D.
VIII. Mughal period, c. 16th-17th centuries A.D.

Contents

  Preface v
  Style Outline vi
  Acknowledgements vii
  List of Maps xv
  Figure References xvii
24 Mauryas of Gopagiri and Kanyakubja 3
25 Gurjara-Pratiharas of Kanyakubja 27
26 Kalacuris of Tripuri 61
27 Gurjara-Pratiharas of Kanyakubja 73
28 Candellas of Kalanjara and Kharjuravahaka: Phase I 83
29 Hill Dynasties 93
30 Pratiharas of Mandavyapura 119
31 Pratiharas of Jabalipura and Kanyakubja Phase I 153
32 Surasenas of Sripatha 217
33 Cahamanas of Sakambhari: Phase I 223
34 Pratiharas of Kanyakubja and Their Feudatories: Phase II 247
35 Mauryas of Uparamala and Medapata 271
36 Gurjara-Pratiharas and Their Maurya-Feudatories in Malava 299
37 Saindhavas of Bhutambilika 319
38 Minor Dynasties of Northern Gujarat 337
39 Pratiharas of Jabalipura and Bhillamala 361
40 Capotkatas of Anahillapataka 375
41 Capas of Vardhamanapura: Phases I and II 381
42 Samas of Kaccha 389
43 Palas 395
44 Bhauma-Karas 409
  Reference Glossary 447
  Site and Temple Index 463
  Plates Volume  
  Style Code for Plate Reference vii
  Plate/Chapter Reference 3
  Plates 1-977 5

Sample Pages

Part - 1

















Part - 2








North India Period of Early Maturity - Encyclopaedia of Indian Temple Architecture (Set of 2 Books) - An Old and Rare Books

Item Code:
NAN178
Cover:
Hardcover
Edition:
1991
Language:
English
Size:
11 inch X 8.5 inch
Pages:
904 (Throughout B/W Illustrations)
Other Details:
Weight of the Book: 4.3 kg
Price:
$295.00   Shipping Free - 4 to 6 days
Look Inside the Book
Add to Wishlist
Send as e-card
Send as free online greeting card
North India Period of Early Maturity - Encyclopaedia of Indian Temple Architecture (Set of 2 Books) - An Old and Rare Books

Verify the characters on the left

From:
Edit     
You will be informed as and when your card is viewed. Please note that your card will be active in the system for 30 days.

Viewed 1938 times since 4th Jun, 2017

Part - 1

Preface

By A.D. 700, architects in Northern India had already created a unique architectural form for the temple, condensing a range of past cosmogonic and cosmological symbolisms into the rich decorative morphology of the temple itself.' This "Latina-Nagara" type of temple (see frontispiece, p. ix) combined the axis of a world-pillar, the cube of a sacrificial altar, and the body of a palace to house an image of divinity that was presented in visible form within its sanctum. Its distinctive high curved superstructure quickly dominated the North Indian skyline, from west to east and from the Himalayan foothills to the upper Deccan. Preliminary stages in the evolution of this form, as well as a variety of the alternative types and traditions of temple structures that survived in Northern India throughout its history, have been presented in the first set of volumes in this series (Vol. Il, pt. 1, "Foundations of North Indian Style").

The range of eighth- and ninth-century temples covered by this present set represents what we have designated the "Period of Early Maturity," in part following a phrase used by Stella Kramrisch for classical Indian sculpture. The Latina temple does reach maturity in this phase, its form understood and expressed in a variety of regional idioms by architects patronised by political powers intent on incorporating and marking both territory and populations within their growing hegemony. Building these temples gave merit to their individual patrons, provided a powerful tool for communities of priests, and helped both validate and perpetuate a growing "State" order, in part by helping to incorporate lineage clans within a broader social order.

Ripe and self-fulfilling in its symbolic structure, the temple in this period still required architects to work out a number of practical issues concerning how it could be used. Interior spaces along a longitudinal "axis of access" evolved from a simple sheltered portico in front of the sanctum door to a variety of sheltering halls and covered entries; circumambulatory spaces were provided first by open platforms or as paths incorporated within the fabric of the temple itself. Balconies allowed light into these ambulatory paths and halls; and screened windows sometimes were used to filter light and provide ventilation. A proliferation of niches, on the interior as well as on exterior walls, also allowed priests to elaborate increasingly complex and particularized iconographic programs for use in rituals. While something is known, however, of the histories of the hegemonic powers -Pratiharas, Cahamanas, etc. - within whose reigns these temples were built, we know very little about the priests or communities that they were built to serve.

While sharing always a symbolic potency and form, temples in the period separate into major stylistic groupings in different regions as well as showing significant and continual idiomatic variation. Central and western of North India seem to have extended to large degree the decorative and aesthetic traditions developed in territories ruled previously by Gupta dynasts; temples in Malwa, Gujarat, and southern Rajasthan instead a number of decorative conventions found previously in Satavahana, Vakataka, and Kalacuri territories in the Deccan. While little could be said in earlier Chapters about such differences in architectural terms, temples form these regions in this period of early maturity share significantly separate canons, as reflected in the following Style Outline used to Outline used to organise this volume:

Style Outline

Vol. II, part 1: Foundations of North Indian
I. Beginnings of North Indian Style, c. A.D. 350-660
II. Varieties of North Indian Style, c. A.D. 500-1100

Vol. II, part 2: North India, Period of Early Maturity
III. Nagara Style of Common Lineage, c. early eight-late ninth century A.D.
A. Central India
1. Gopagiri style, c. eight century A.D. Mauryas of Gopagiri and Kanyakubja
2. Dasarnadesa style,. C. late eighth-ninth century A.D. Gurjara-Pratiharas of Kanyakubja
3. Dahala style, phase 1, c. late eighth-late ninth century A.D. Kalacuris of Tripuri

4. Madhyadesa style, phase 2, c. eithth-ninth centuries A.D. Gurjara-Pratiharas of Kanyakubja
5. Jejakabhukti style, phase 1, c. late ninth-early tenth century A.D. Candellas of Kalanjara and Kharjuravahaka

B. Himacala
Himacala style, phase 1, c. eighth-ninth centuries A.D. Hill Dynasties
C. Western India
Maha-Maru Style, phases 1 & 2, c. A.D. 700-925
1. Marudesa: Pratiharas of Mandavyapura
2. Marudesa: Pratiharas of Jabalipura and Kanyakubja, phase 1
3. Surasena janapada: Surasenas of Sripatha
4. Sapadalaksa: cahamanas of Sakambhari
5. Pratiharas of Kanyakubja and their feudatories, phase 2

D. Uparamala
Malava style, Uparamala, phases 1 & 2, c. A.D. 650-900
1. Mauryas of Medapata and Uparamala
2. Gurjara-Pratiharas and their Maurya feudatories in Malava

IV. Nagara Style of Separate Lineage, c. early eithth-late ninth century A.D.
A. Western India
1. Surastra style, c. early eighth-late ninth century A.D. Saindhavas of Bhutambilika
2. Maha-Gurjara style, phase 2, c. A.D. 700-900
a. Minor dynasties of northern Gujarat
b. Pratiharas of Jabalipura and Bhilamala
c. Capotkatas of Anahillapataka
d. Caps of Vardhamanapura
e. Samas of Kaccha

B. Eastern India
1. Vanga style, phase 1, c. A.D. 700-900: Palas
2. Kalinga style, phase 2, c. A.D. 700-900: Bhauma-Karas

Use of this outline for subsequent volume in this series can tentatively be projected as follows:

Vol. II, part 3
V. Beginnings of Medieval Idiom c. A.D. 900-1000

Vol. II, part 4
VI. High medieval period, c. A.D. 1000-1300
VII. Sultanate period, c. 14th -16th centuries A.D.
VIII. Mughal period, c. 16th-17th centuries A.D.

Contents

  Preface v
  Style Outline vi
  Acknowledgements vii
  List of Maps xv
  Figure References xvii
24 Mauryas of Gopagiri and Kanyakubja 3
25 Gurjara-Pratiharas of Kanyakubja 27
26 Kalacuris of Tripuri 61
27 Gurjara-Pratiharas of Kanyakubja 73
28 Candellas of Kalanjara and Kharjuravahaka: Phase I 83
29 Hill Dynasties 93
30 Pratiharas of Mandavyapura 119
31 Pratiharas of Jabalipura and Kanyakubja Phase I 153
32 Surasenas of Sripatha 217
33 Cahamanas of Sakambhari: Phase I 223
34 Pratiharas of Kanyakubja and Their Feudatories: Phase II 247
35 Mauryas of Uparamala and Medapata 271
36 Gurjara-Pratiharas and Their Maurya-Feudatories in Malava 299
37 Saindhavas of Bhutambilika 319
38 Minor Dynasties of Northern Gujarat 337
39 Pratiharas of Jabalipura and Bhillamala 361
40 Capotkatas of Anahillapataka 375
41 Capas of Vardhamanapura: Phases I and II 381
42 Samas of Kaccha 389
43 Palas 395
44 Bhauma-Karas 409
  Reference Glossary 447
  Site and Temple Index 463
  Plates Volume  
  Style Code for Plate Reference vii
  Plate/Chapter Reference 3
  Plates 1-977 5

Sample Pages

Part - 1

















Part - 2








Post a Comment
 
Post Review
Post a Query
For privacy concerns, please view our Privacy Policy
Based on your browsing history
Loading... Please wait

Items Related to North India Period of Early Maturity - Encyclopaedia of Indian Temple... (History | Books)

The Power of The Female: Devangana Sculptures on Indian Temple Architecture
Deal 10% Off
Item Code: NAF484
$105.00$94.50
You save: $10.50 (10%)
Add to Cart
Buy Now
Elements of Indian Art Including Temple Architecture, Iconography and Iconometry 
Deal 20% Off
Item Code: IDD288
$40.00$32.00
You save: $8.00 (20%)
Add to Cart
Buy Now
Testimonials
I make a point to thank you so much for the excellent service you and your team are providing for your clients. I am highly satisfied with the high-quality level of the books I have acquired, as well as with your effective customer-care service.
Alain Rocchi, Brazil
Dear friends, I just placed my order for one Radhe-Shyam copper bangle and I am looking forward to seeing the quality of your products. I have been searching for years for this price range of bangle with 'Radhe Radhe' or 'Radhe-Shyam'. I may add more items as I was not through shopping when I clicked on PayPal. Thanks sooo much for providing such hard-to-find and fair-priced items! Sincerely, David Briscoe
David, USA
I got my two dupattas today and I'm SO HAPPY! Thank you so much. Such amazing quality and the pictures totally do it justice They are beautiful!!! Thank you
Nony, USA
I received my Ganesha Purana order today Books received in good condition and delivery was very fast. Thank you very much..:)) Very good customer service.
Lukesh sithambaram
I'm happy to order from you and not the global monopoly that is Amazon. ;)
Tom, USA
A great 'Dorje' has arrived. Thank you for your sincerity.
Hideo, Japan
Thank you for your amazing customer service! I ordered Liberating Isolation Sunday, March 24 and received it Friday, March 29! Much sooner than expected:) The book was packaged nicely and is in great shape! Thank you again!
James, USA
Om Shanti Shanti Shanti !!! Exotic India Thank You Thank You Thank You !!!
Fotis Kosmidis
Hi, I would like to thankyou for your excellent service. Postage was quick. Books were packaged well and all in good condition.
Pauline, Australia
Thank you very much. Your sale prices are wonderful.
Michael, USA
Language:
Currency:
All rights reserved. Copyright 2019 © Exotic India