BOOKS ON INDIAN CLASSICAL & FOLK DANCE

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भरतकोश : Bharatakosa (A Dictionary to Technical Terms with definitions on Music and Dance Collected from the Works of Bharata and Others) - (An Old and Rare Book)
भरतकोश : Bharatakosa (A Dictionary to Technical Terms with definitions on Music and Dance Collected from the Works of Bharata and Others) - (An Old and Rare Book)
By M. Ramakrishna Kavi
CHF66
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Natyasastra Of Bharata-Muni - 4 Volumes
Natyasastra Of Bharata-Muni - 4 Volumes
By MANOMOHAN GHOSH
CHF98
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Dance Gestures: Mirror of Expressions (Abhinaya Darpanam)
Dance Gestures: Mirror of Expressions (Abhinaya Darpanam)
By Nandikesvara
CHF20
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Tala and Nattuvangam: A Theoretical and Practical Study
Tala and Nattuvangam: A Theoretical and Practical Study
By Sreekanth P. V
CHF20
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Swinging Syllables: Aesthetics of Kathak Dance
Swinging Syllables: Aesthetics of Kathak Dance
By Sushil Kumar Saxena
CHF35
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Pictorial & Descriptive Glossary of Bharata’s Natyasastra (A Student's Companion)
Pictorial & Descriptive Glossary of Bharata’s Natyasastra (A Student's Companion)
By Smt. N.A. Laxmi
CHF40
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Kathak Dance Syllabi: With Notation (Set of 2 Volumes)
Kathak Dance Syllabi: With Notation (Set of 2 Volumes)
By Puru Dadheech
CHF39
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Kalarippayattu (The Complete Guide To Kerala’s Ancient Martial Art)
Kalarippayattu (The Complete Guide To Kerala’s Ancient Martial Art)
By Chirakkal T. Sreedharan Nair
CHF34
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Introduction to Bharata's Natyasastra
Introduction to Bharata's Natyasastra
By Adya Rangacharya
CHF18
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Bharatanatyam: How to? (A Step-by-Step Approach to Learn the Classical Dance form)
Bharatanatyam: How to? (A Step-by-Step Approach to Learn the Classical Dance form)
By Jayalakshmi Eshwar
CHF69.60
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Students Guide to Odissi Dance (Covering Gandharva Mahavidyalaya Syllabus of Prarambhik to Madhyama Pratham)
Students Guide to Odissi Dance (Covering Gandharva Mahavidyalaya Syllabus of Prarambhik to Madhyama Pratham)
By Sneha Gupta
CHF29
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Bharatanatyam (The Tamil Heritage)
Bharatanatyam (The Tamil Heritage)
By Lakshmi Viswanathan
CHF27
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Rukmini Devi Arundale (1904 - 1986): A Visionary Architect of Indian Culture and the Performing Arts
Rukmini Devi Arundale (1904 - 1986): A Visionary Architect of Indian Culture and the Performing Arts
By Ed. By. Dr. Avanthi Meduri
CHF29
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Introduction to Kathak- The indian Classical Dance
Introduction to Kathak- The indian Classical Dance
By Manjiri Shreeram Deo
CHF20
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Aspects of Abhinaya
Aspects of Abhinaya
By Kalanidhi Narayanan
CHF26
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Zlos-Gar Performing Traditions of Tibet
Zlos-Gar Performing Traditions of Tibet
By Jamyang Norbu
CHF14
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Art of Dancing: Classical and Folk Dances
Art of Dancing: Classical and Folk Dances
By Priyabala Shah
CHF27
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Nrttaratnavali (Set of 2 Volumes)
Nrttaratnavali (Set of 2 Volumes)
By Pappu Vengopala Rao and Yashoda Thakore
CHF75
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Kuchipudi Dance in Textual Form
Kuchipudi Dance in Textual Form
By P. Rama Devi
CHF27
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Kathak Dance Syllabi: With Notation (Part Two)
Kathak Dance Syllabi: With Notation (Part Two)
By Puru Dadheech
CHF29
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108 பரதநாட்டிய ஜதிகள்- 108 Bharathanatyam Jathis (Tamil and English With Audio Link)
108 பரதநாட்டிய ஜதிகள்- 108 Bharathanatyam Jathis (Tamil and English With Audio Link)
By Chidambaram R. Suresh and Shobana Suresh
CHF33
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The Odissi Dance Path Finder (Set of 2 Volumes)
The Odissi Dance Path Finder (Set of 2 Volumes)
Publisher Guru Kelu Charan Mohapatra Odissi Research Centre
CHF32
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Therapeutic Magic of Kathak: Based on the Research Study 'Scope of Kathak Dance As a Healing Therapy (with Special Focus on Acupressure)’
Therapeutic Magic of Kathak: Based on the Research Study 'Scope of Kathak Dance As a Healing Therapy (with Special Focus on Acupressure)’
By Ruchi Khare
CHF26
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Splendours of Indian Dance (Forms - Theory - Practice)
Splendours of Indian Dance (Forms - Theory - Practice)
By V. Raghavan
CHF36
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Ghazal – A Musical Expression of Divine Love and Nostalgia
The most popular expression of poetry in Urdu and Persian, the ghazal, is known as much as a poetic form as it is as a genre of music. The ghazal has roots in seventh century Arabia and gained prominence in the 13th and 14th century due to works of Persian poets like Rumi and Hafiz. Indian poets started writing ghazal in Urdu and Persian in the eighteenth century. The name of the poem is based on the Arabic word, ghazal, which means ‘talking to a beautiful young lady.’ Ghazal originated in Arabia long before the birth of Islam. It is a derivative of the Arabic panegyric qaseeda, which consisted of three sections: the naseeb, the raheel and any standard form of poetry. The naseeb was the introductory portion of the qaseeda that dealt with themes of nostalgia, romance and longing.
The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna\'s own beauty"
Delight of Senses: The Indian Way of Seeing It
(A Discourse on Indian Theory of Rasa in Relation to Visual Arts)
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man\'s \'bhava-jagat\'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - \'rasika\', as he is called, witnesses a dramatic performance for the enjoyment of \'Rasa\'... This \'Rasa\'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject\'s instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created \'Rasa\', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - \'gunas\' as he called them; ten faults - \'doshas\', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat\'s perception was thus broad as well as minute and analytical..."
Krishna\'s Dance with the Female Cowherds - A Joyous, Spiritual Narrative
"After having returned the clothes of the unclad maidens bathing in the sacred waters of river Yamuna, Krishna congratulated them for their unflinching devotion towards him and promised that he would sport with them during the forthcoming autumn nights...The gopis\' escape from the shackles of worldly life was not however without event...Truly, Krishna is the ultimate attraction, much like a magnet draws iron files towards it...whatever emotion is directed towards god, it should be intense and continuous...the gopis puffed up with pride and each regarded herself as special...the gopis forgot their agony of separation (viraha), and on physical "contact with him (anga sanga) felt all their desires fulfilled..."
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Locate Us
  • Exotic India Art Pvt Ltd
    A16/1 WAZIRPUR INDUSTRIAL AREA
    Delhi 110052
    Delhi
    India
    Tel:+91-8031404444
In the USA
  • Tel: +1 347 468 7193
Our Stores
  • Flagship Store
    71/2 Kirti Nagar Main Road
    WHS Block 2
    Delhi 110015, India
    Tel: +91 95991 00764
  • Home Decor
    Khasra No. 432
    Mehrauli-Gurgaon Rd
    opp. Metro Pillar 97
    Gadaipur, DLF Farms
    New Delhi 110030, India
    Tel: +91 92178 44842
  • Jewelry & Apparel
    5D, 1, Dada Jungi Ln
    Shahpur Jat, Siri Fort
    New Delhi 110049, India
    Tel: +91 92178 43827
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