BOOKS ON INDIAN CLASSICAL & FOLK DANCE

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Affichage de 1 à 24 sur 317 résultats
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DANCE IN THUMRI
DANCE IN THUMRI
By PROJESH BANERJEE
¥6375
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Mysore Bharathanatya Sampradaya as Taught by Asthana Vidhushis Sundaramma and Nagarathnamma to American Disciple Nala Najan: Book-7 (Set of 2 Volumes)
Mysore Bharathanatya Sampradaya as Taught by Asthana Vidhushis Sundaramma and Nagarathnamma to American Disciple Nala Najan: Book-7 (Set of 2 Volumes)
By Compiled By Padma Chittampalli
¥7589
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Abhinaya Candrika & Odissi Dance (Glossy Paper Book)
Abhinaya Candrika & Odissi Dance (Glossy Paper Book)
By Maya Das
¥10,625
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Popular Classical Dances of India- Demystifying Fine Arts - Volume 25 (An Old and Rare Book)
Popular Classical Dances of India- Demystifying Fine Arts - Volume 25 (An Old and Rare Book)
By Vidya Bhavani Suresh
¥5313
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Nala Najan - Life, Legacy, Art and Work (Set of 5 Volumes)
Nala Najan - Life, Legacy, Art and Work (Set of 5 Volumes)
By Padma Chittampalli
¥21,250
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Books on Kathakali (Set of 14 Books)
Books on Kathakali (Set of 14 Books)
By Various Authors
¥78,321
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Karma Dance- Monograph
Karma Dance- Monograph
By Vandana Dutta
¥3795
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Call of the North East- Folk Dances of North East India
Call of the North East- Folk Dances of North East India
By Edited By Gouri Basu
¥6527
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Rhythmic Rhapsodies- Folk Dances of Eastern India
Rhythmic Rhapsodies- Folk Dances of Eastern India
By Edited By Gouri Basu
¥5920
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The Rich Tapestry of Indian Classical Dances
The Rich Tapestry of Indian Classical Dances
By Ashish Giri
¥7893
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Demsa- Dance of Andhra Pradesh (Monograph)
Demsa- Dance of Andhra Pradesh (Monograph)
By Jayadhir Thirmal Rao
¥3643
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Kathak: A Theoretical & Practical Knowledge (Volume-01)
Kathak: A Theoretical & Practical Knowledge (Volume-01)
By Marami Medhi, Debasish Talukdar
¥4705
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The Odissi Dance Path Finder (Set of 2 Volumes)
The Odissi Dance Path Finder (Set of 2 Volumes)
Publisher Guru Kelu Charan Mohapatra Odissi Research Centre
¥5616
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Folk Dances of Orissa (An Old and Rare Book)
Folk Dances of Orissa (An Old and Rare Book)
By Dhirendranath Patnaik
¥3188
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Odissi Dance
Odissi Dance
By Dhirendranath Patnaik
¥4554
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Kathak Dance Syllabi: With Notation (Set of 2 Volumes)
Kathak Dance Syllabi: With Notation (Set of 2 Volumes)
By Puru Dadheech
¥6982
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Aspects of Abhinaya
Aspects of Abhinaya
By Kalanidhi Narayanan
¥4705
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Introduction to Kathak- The indian Classical Dance
Introduction to Kathak- The indian Classical Dance
By Manjiri Shreeram Deo
¥3491
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Therapeutic Magic of Kathak: Based on the Research Study 'Scope of Kathak Dance As a Healing Therapy (with Special Focus on Acupressure)’
Therapeutic Magic of Kathak: Based on the Research Study 'Scope of Kathak Dance As a Healing Therapy (with Special Focus on Acupressure)’
By Ruchi Khare
¥4705
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Kalarippayattu (The Complete Guide To Kerala’s Ancient Martial Art)
Kalarippayattu (The Complete Guide To Kerala’s Ancient Martial Art)
By Chirakkal T. Sreedharan Nair
¥6071
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Preksaniyam- Essays on Indian Classical Dance and Theatre
Preksaniyam- Essays on Indian Classical Dance and Theatre
By R. Ganesh
¥7438
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Nayana-Savana (A Creative Appreciation of the Artistic Works of Dr. Padma Subrahmanyam)
Nayana-Savana (A Creative Appreciation of the Artistic Works of Dr. Padma Subrahmanyam)
By R. Ganesh, Arjun Bharadwaj
¥4098
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Bharatanatyam Nrithya Darpana (The Basic Knowledge of Theory and Adavus)
Bharatanatyam Nrithya Darpana (The Basic Knowledge of Theory and Adavus)
By N. K. Pratap Sarkar
¥3643
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Kathak Dance Syllabi: With Notation (Part Two)
Kathak Dance Syllabi: With Notation (Part Two)
By Puru Dadheech
¥5161
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Ghazal – A Musical Expression of Divine Love and Nostalgia
The most popular expression of poetry in Urdu and Persian, the ghazal, is known as much as a poetic form as it is as a genre of music. The ghazal has roots in seventh century Arabia and gained prominence in the 13th and 14th century due to works of Persian poets like Rumi and Hafiz. Indian poets started writing ghazal in Urdu and Persian in the eighteenth century. The name of the poem is based on the Arabic word, ghazal, which means ‘talking to a beautiful young lady.’ Ghazal originated in Arabia long before the birth of Islam. It is a derivative of the Arabic panegyric qaseeda, which consisted of three sections: the naseeb, the raheel and any standard form of poetry. The naseeb was the introductory portion of the qaseeda that dealt with themes of nostalgia, romance and longing.
The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna\'s own beauty"
Delight of Senses: The Indian Way of Seeing It
(A Discourse on Indian Theory of Rasa in Relation to Visual Arts)
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man\'s \'bhava-jagat\'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - \'rasika\', as he is called, witnesses a dramatic performance for the enjoyment of \'Rasa\'... This \'Rasa\'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject\'s instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created \'Rasa\', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - \'gunas\' as he called them; ten faults - \'doshas\', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat\'s perception was thus broad as well as minute and analytical..."
Krishna\'s Dance with the Female Cowherds - A Joyous, Spiritual Narrative
"After having returned the clothes of the unclad maidens bathing in the sacred waters of river Yamuna, Krishna congratulated them for their unflinching devotion towards him and promised that he would sport with them during the forthcoming autumn nights...The gopis\' escape from the shackles of worldly life was not however without event...Truly, Krishna is the ultimate attraction, much like a magnet draws iron files towards it...whatever emotion is directed towards god, it should be intense and continuous...the gopis puffed up with pride and each regarded herself as special...the gopis forgot their agony of separation (viraha), and on physical "contact with him (anga sanga) felt all their desires fulfilled..."
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Locate Us
  • Exotic India Art Pvt Ltd
    A16/1 WAZIRPUR INDUSTRIAL AREA
    Delhi 110052
    Delhi
    India
    Tel:+91-8031404444
In the USA
  • Tel: +1 347 468 7193
Our Stores
  • Flagship Store
    71/2 Kirti Nagar Main Road
    WHS Block 2
    Delhi 110015, India
    Tel: +91 95991 00764
  • Home Decor
    Khasra No. 432
    Mehrauli-Gurgaon Rd
    opp. Metro Pillar 97
    Gadaipur, DLF Farms
    New Delhi 110030, India
    Tel: +91 92178 44842
  • Jewelry & Apparel
    5D, 1, Dada Jungi Ln
    Shahpur Jat, Siri Fort
    New Delhi 110049, India
    Tel: +91 92178 43827
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