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BOOKS ON INDIAN MUSICAL INSTRUMENTS

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Handbook of Indian Instruments (Set of 5 Books)
Handbook of Indian Instruments (Set of 5 Books)
By Various Authors
RM234.75
RM313 25% off
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Instruments in Indian Musicology: Spiritual, Artistic and Philosophical Expression in Indian Knowledge System
Instruments in Indian Musicology: Spiritual, Artistic and Philosophical Expression in Indian Knowledge System
By Amrita Priyamvada
RM166.20
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Odishan Folk Music and Musical Instruments
Odishan Folk Music and Musical Instruments
By Krushna Chandra Das
RM84
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The History of Musical Instruments
The History of Musical Instruments
By Edited By Curt Sachs
RM271.50
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Utkaliya Pala
Utkaliya Pala
By JAGANNATH KUANR
RM84
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Song of the Clay Pot- My Journey with the Ghatam
Song of the Clay Pot- My Journey with the Ghatam
By Sumana Chandrashekar
RM104.25
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Professor Sudhir Kumar Saxena Centenary Celebrations
Professor Sudhir Kumar Saxena Centenary Celebrations
By Edited By Manjula Saxena
RM100.50
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Rhythm Roots: Explore Indian Rhythms (Based on the Curriculum of the Prarambhik, Praveshika Pratham and Praveshika Purna of Abgmv Mandal)
Rhythm Roots: Explore Indian Rhythms (Based on the Curriculum of the Prarambhik, Praveshika Pratham and Praveshika Purna of Abgmv Mandal)
By Amod Dandage
RM80.25
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Fifty Tunes Composed and Set to Music, Taravati a Tale and the Twenty-Two Musical Srutis of the Hindus
Fifty Tunes Composed and Set to Music, Taravati a Tale and the Twenty-Two Musical Srutis of the Hindus
By Sourindro Mohun Tagore
RM99.60
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How to Play Sitar
How to Play Sitar
By Vikas Aggarwal
RM73.50
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Sitar and Its Compositions (Set Of 2 Volumes) (An Old and Rare Book)
Sitar and Its Compositions (Set Of 2 Volumes) (An Old and Rare Book)
By V. K. Aggarwal and Alka Nagpal
RM136.80
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How To Play Harmonium: Synthesizer, Piano and Accordian
How To Play Harmonium: Synthesizer, Piano and Accordian
By Krishna Kumar Agrawal, Shambhu Sharma
RM73.50
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Learn to Play the Harmonium (Set of 4 Books)
Learn to Play the Harmonium (Set of 4 Books)
By Various Authors
RM255
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Sitar and Sarod in the 18th and 19th Centuries
Sitar and Sarod in the 18th and 19th Centuries
By Allyn Miner
RM127.50
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Complete Tabla
Complete Tabla
By Amod Dandage
RM107.25
RM143 25% off
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Music-Dance and Musical Instruments: During The Period of Nayakas (1673-1732)
Music-Dance and Musical Instruments: During The Period of Nayakas (1673-1732)
By Dr. K. Kusuma Bai
RM90.75
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Music of the Nations (A Comparative Study)
Music of the Nations (A Comparative Study)
By Paramahamsa Prajnanananda
RM93.75
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Exploration in Indian Musical Instruments
Exploration in Indian Musical Instruments
By Kanishka Joshi
RM196.20
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Learn How to Play Harmonium (Learn Harmonium in Fifteen Days)
Learn How to Play Harmonium (Learn Harmonium in Fifteen Days)
By Bharti Agrawal
RM60.19
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Tabla Of Farrukhabad Gharana
Tabla Of Farrukhabad Gharana
By Anup Ghosh
RM87
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Divine Beats for U.G./P.G. Entrance in Music Tabla
Divine Beats for U.G./P.G. Entrance in Music Tabla
By Renu Johri
RM104.25
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How To Play Tabla: Mridanga, Kongo, Bongo and Tabla Tarang
How To Play Tabla: Mridanga, Kongo, Bongo and Tabla Tarang
By Krishana Kumar Agrwal & Hazi Shabban Khan
RM80.25
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Playing Techniques of Tabla: Banaras Gharana (With Notation)
Playing Techniques of Tabla: Banaras Gharana (With Notation)
By Pandit Chhote Lal Misra
RM126
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Popular Ragas and it's Compositions in Hindustani Instrumental Music
Popular Ragas and it's Compositions in Hindustani Instrumental Music
By Dr. Prateek Chaudhuri
RM177.75
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Ghazal – A Musical Expression of Divine Love and Nostalgia
The most popular expression of poetry in Urdu and Persian, the ghazal, is known as much as a poetic form as it is as a genre of music. The ghazal has roots in seventh century Arabia and gained prominence in the 13th and 14th century due to works of Persian poets like Rumi and Hafiz. Indian poets started writing ghazal in Urdu and Persian in the eighteenth century. The name of the poem is based on the Arabic word, ghazal, which means ‘talking to a beautiful young lady.’ Ghazal originated in Arabia long before the birth of Islam. It is a derivative of the Arabic panegyric qaseeda, which consisted of three sections: the naseeb, the raheel and any standard form of poetry. The naseeb was the introductory portion of the qaseeda that dealt with themes of nostalgia, romance and longing.
The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna\'s own beauty"
Delight of Senses: The Indian Way of Seeing It
(A Discourse on Indian Theory of Rasa in Relation to Visual Arts)
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man\'s \'bhava-jagat\'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - \'rasika\', as he is called, witnesses a dramatic performance for the enjoyment of \'Rasa\'... This \'Rasa\'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject\'s instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created \'Rasa\', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - \'gunas\' as he called them; ten faults - \'doshas\', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat\'s perception was thus broad as well as minute and analytical..."
Krishna\'s Dance with the Female Cowherds - A Joyous, Spiritual Narrative
"After having returned the clothes of the unclad maidens bathing in the sacred waters of river Yamuna, Krishna congratulated them for their unflinching devotion towards him and promised that he would sport with them during the forthcoming autumn nights...The gopis\' escape from the shackles of worldly life was not however without event...Truly, Krishna is the ultimate attraction, much like a magnet draws iron files towards it...whatever emotion is directed towards god, it should be intense and continuous...the gopis puffed up with pride and each regarded herself as special...the gopis forgot their agony of separation (viraha), and on physical "contact with him (anga sanga) felt all their desires fulfilled..."
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Locate Us
  • Exotic India Art Pvt Ltd
    A16/1 WAZIRPUR INDUSTRIAL AREA
    Delhi 110052
    Delhi
    India
    Tel:+91-8031404444
In the USA
  • Tel: +1 347 468 7193
Our Stores
  • Flagship Store
    71/2 Kirti Nagar Main Road
    WHS Block 2
    Delhi 110015, India
    Tel: +91 95991 00764
  • Home Decor
    Khasra No. 432
    Mehrauli-Gurgaon Rd
    opp. Metro Pillar 97
    Gadaipur, DLF Farms
    New Delhi 110030, India
    Tel: +91 92178 44842
  • Jewelry & Apparel
    5D, 1, Dada Jungi Ln
    Shahpur Jat, Siri Fort
    New Delhi 110049, India
    Tel: +91 92178 43827
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