BOOKS ON MUSIC NOTATIONS

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Показано с 1 до 24 из 132 результатов
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Compositions of Tyagaraja (In National and International Scripts: Devanagari & Roman with Meaning and S R G M Notation in English)
Compositions of Tyagaraja (In National and International Scripts: Devanagari & Roman with Meaning and S R G M Notation in English)
By T. K. Govinda Rao
₽5873
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Theory of Indian Music: Sangita Sastra Sangraha- Part II (With Notation, Only 1 copy in stock)
Theory of Indian Music: Sangita Sastra Sangraha- Part II (With Notation, Only 1 copy in stock)
By Dr. M.B. Vedavalli
₽3091
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முருகரத்னாகரம்- Murugarathnaakaram: Compositions of Sri T.N. Bala (Text, Transliteration, Translation and Notation: Volume- 1)
முருகரத்னாகரம்- Murugarathnaakaram: Compositions of Sri T.N. Bala (Text, Transliteration, Translation and Notation: Volume- 1)
By T. N. Bala
₽1855
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Melaragamalika of Maha Vaidyanatha Sivan- Tamiz, Commentary 'Sivapriya' by V.S.V Guruswamy Sastrigal
Melaragamalika of Maha Vaidyanatha Sivan- Tamiz, Commentary 'Sivapriya' by V.S.V Guruswamy Sastrigal
By V.S.V Guruswamy Sastrigal
₽2782
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Prathamabhyasa Pustakamu of Brahmasri Subbarama Diksitulu
Prathamabhyasa Pustakamu of Brahmasri Subbarama Diksitulu
By Subbarama Dikshitulu
₽2782
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Pallavi with Notations
Pallavi with Notations
By Bhubaneswar Mishra
₽1855
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Ganamrutha Varna Malika (With Notation)
Ganamrutha Varna Malika (With Notation)
By A. S. Panchapakesa Iyer
₽2705
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Ganamrutha Keerthanamalika- With Notation (Set of 10 Volumes)
Ganamrutha Keerthanamalika- With Notation (Set of 10 Volumes)
By A. S. Panchapakesa Iyer
₽8268
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श्रुतिपद सरिता: Srutipada Sarita-Musical Notations of Traditional and Self-Made Dhrupad Compositions
श्रुतिपद सरिता: Srutipada Sarita-Musical Notations of Traditional and Self-Made Dhrupad Compositions
By Ritwik Sanyal
₽2782
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Notations of 121 Bhajans and Prayers (Easy To Understand Notations In Actual English)
Notations of 121 Bhajans and Prayers (Easy To Understand Notations In Actual English)
By Krishna Kumar Agrwal
₽2395
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Carnatic Music Reader in Western Staff Notation (A Primer For Learning Guitar, Piano, Saxophone, Violin)
Carnatic Music Reader in Western Staff Notation (A Primer For Learning Guitar, Piano, Saxophone, Violin)
By V. K. Krishna Prasad
₽1838.90
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Bhajan Western Notes (Set of 2 Volumes)
Bhajan Western Notes (Set of 2 Volumes)
By Vinod Kumar
₽3168
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Sree Kamalamba Navavaranam (With Notation)
Sree Kamalamba Navavaranam (With Notation)
By A. S. Panchapakesa Iyer
₽1314
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Veena: The Instrument Par-Excellence (With Notation)
Veena: The Instrument Par-Excellence (With Notation)
By Vainika Vidwan and C.K. Shankara Narayana Rao
₽2705
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Kramik Pustak Malika: Hindustani Sangeet Paddhati With Notation (Part 1)
Kramik Pustak Malika: Hindustani Sangeet Paddhati With Notation (Part 1)
By Pt. Vishnu Narayan Bhatkhande
₽1932
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Carnatic Music Reader In Western Staff Notation (A Primer For Guitar, Piano, Keyborad, Saxophone, Violin) (Set of 7 Volumes)
Carnatic Music Reader In Western Staff Notation (A Primer For Guitar, Piano, Keyborad, Saxophone, Violin) (Set of 7 Volumes)
By V. K. Krishna Prasad
₽8268
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Veena, Self -Taught - An Introduction to Carnatic Music (With Notation)
Veena, Self -Taught - An Introduction to Carnatic Music (With Notation)
By S.V. Leela
₽1005
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Tamizh Padam-s (Notation, Tamizh - English Text, Meaning in English)
Tamizh Padam-s (Notation, Tamizh - English Text, Meaning in English)
By Smt. Madhavi Rajagopalan
₽1932
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Swaraanginee - Composition in Moring, Afternoon and Evening Raags of North Indian Classical Music with Notation (With CD Inside)
Swaraanginee - Composition in Moring, Afternoon and Evening Raags of North Indian Classical Music with Notation (With CD Inside)
By Dr. Prabha Atre
₽4636
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Tabla-A Quest (A Theoretical & Practical Guide) With Notations (Part-1)
Tabla-A Quest (A Theoretical & Practical Guide) With Notations (Part-1)
By Ustad Julfikar Hussain, Debasish Talukdar
₽2318
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Rag Malika With Notation
Rag Malika With Notation
By Shruti Jauhari and Nancy Needhima
₽4405
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Carnatic Music Reader In Western Staff Notation (Tutor For Guitar, Piano, Keyboard, Saxophone Violin) (Three Part Kriti Series Kritis 2) (Part 6)
Carnatic Music Reader In Western Staff Notation (Tutor For Guitar, Piano, Keyboard, Saxophone Violin) (Three Part Kriti Series Kritis 2) (Part 6)
By V.K. Krishna Prasad
₽1460.20
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Kriti Sagaram- Edited With Text and Notation (Part- I)
Kriti Sagaram- Edited With Text and Notation (Part- I)
By S. Bhagyalekshmi
₽1700
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Sree Patnam Subramanya Iyer (With Notation)
Sree Patnam Subramanya Iyer (With Notation)
By A. S. Panchapakesa Iyer
₽1314
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Ghazal – A Musical Expression of Divine Love and Nostalgia
The most popular expression of poetry in Urdu and Persian, the ghazal, is known as much as a poetic form as it is as a genre of music. The ghazal has roots in seventh century Arabia and gained prominence in the 13th and 14th century due to works of Persian poets like Rumi and Hafiz. Indian poets started writing ghazal in Urdu and Persian in the eighteenth century. The name of the poem is based on the Arabic word, ghazal, which means ‘talking to a beautiful young lady.’ Ghazal originated in Arabia long before the birth of Islam. It is a derivative of the Arabic panegyric qaseeda, which consisted of three sections: the naseeb, the raheel and any standard form of poetry. The naseeb was the introductory portion of the qaseeda that dealt with themes of nostalgia, romance and longing.
The Rhythm of Music - A Magical and Mystical Harmony
"Mysticism is the inherent desire to seek oneness with the ultimate reality... the sense organs provide the only window to perceive this supreme state of being... This state is non-material, just like music is... the first musical instrument was the human body itself, and the first created music, the human voice... In mysticism, everything is vibration... all material forms made up of vibrations... The drum, through its rhythms, replicates these vibrations... the beating together of cymbals is said to signify the symbolic union of opposites... an activity which is necessary to maintain the harmony of the dynamic universe... the flute... gives forth a clear, pure and simple sound... both intensely melancholy and entrancingly sprightly... The sacredness and reverence for the flute can be gauged form the fact that it is often deified as an extension of Krishna\'s own beauty"
Delight of Senses: The Indian Way of Seeing It
(A Discourse on Indian Theory of Rasa in Relation to Visual Arts)
"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man\'s \'bhava-jagat\'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - \'rasika\', as he is called, witnesses a dramatic performance for the enjoyment of \'Rasa\'... This \'Rasa\'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject\'s instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created \'Rasa\', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - \'gunas\' as he called them; ten faults - \'doshas\', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat\'s perception was thus broad as well as minute and analytical..."
Krishna\'s Dance with the Female Cowherds - A Joyous, Spiritual Narrative
"After having returned the clothes of the unclad maidens bathing in the sacred waters of river Yamuna, Krishna congratulated them for their unflinching devotion towards him and promised that he would sport with them during the forthcoming autumn nights...The gopis\' escape from the shackles of worldly life was not however without event...Truly, Krishna is the ultimate attraction, much like a magnet draws iron files towards it...whatever emotion is directed towards god, it should be intense and continuous...the gopis puffed up with pride and each regarded herself as special...the gopis forgot their agony of separation (viraha), and on physical "contact with him (anga sanga) felt all their desires fulfilled..."
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  • Exotic India Art Pvt Ltd
    A16/1 WAZIRPUR INDUSTRIAL AREA
    Delhi 110052
    Delhi
    India
    Tel:+91-8031404444
In the USA
  • Tel: +1 347 468 7193
Our Stores
  • Flagship Store
    71/2 Kirti Nagar Main Road
    WHS Block 2
    Delhi 110015, India
    Tel: +91 95991 00764
  • Home Decor
    Khasra No. 432
    Mehrauli-Gurgaon Rd
    opp. Metro Pillar 97
    Gadaipur, DLF Farms
    New Delhi 110030, India
    Tel: +91 92178 44842
  • Jewelry & Apparel
    5D, 1, Dada Jungi Ln
    Shahpur Jat, Siri Fort
    New Delhi 110049, India
    Tel: +91 92178 43827
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