Ganesha

$50
Item Code: DB26
Specifications:
Madhubani Painting on Hand Made Paper
Dimensions 11" x 14"
Handmade
Handmade
Free delivery
Free delivery
Fully insured
Fully insured
100% Made in India
100% Made in India
Fair trade
Fair trade
Madhubani is one of those historic seats of Indian culture where ancient ritual practices have survived unhindered for centuries. The simple folk of Madhubani village make figures of gods and goddesses on their walls, in a bid to appease them. Prominent among them is that of Ganesha, son of Shiva-Parvati, and the god of good omen.

Sometimes, in this folk art, the bodies of gods are foreshortened and at times distorted. This picture of Ganesha and his mount is abstracted so simply, doing away with the popular stout figure. He is shown sitting cross-legged, holding a lotus- a symbol of Lakshmi, the goddess of wealth and prosperity. 'Modak', a sweetmeat, in his other hand represents abundance. The rat, Ganesha's mount is a symbol of the self, which enjoys all pleasures without concerns about vice or virtue, which to a perfect soul, are illusions. Here, in an abstract form, it is seen as an elongated and thin rodent, holding a sprig of wheat in its mouth, symbolizing agricultural prosperity. Everything about this painting has to do with a prosperous and auspicious environment and since emptiness would be tantamount to infecundity, it has been filled up with flowers and leaves on stems drawn in weak, nervous lines, in sharp contrast to the lines of the main figure which are bold and confident. Done up in the most fascinating colors used Madhubani art, it has a simple geometric border encompassing the god.

The two worlds of spirit and matter blend wonderfully well in Madhubani paintings. The wonderful flights of imagination and innovative skills of the artists can be discovered through examination of paintings such as this.

This description by Renu Rana.

References:

Thakur, Upendra. Madhubani Painting. New Delhi: Abhinav Publications.

Jain, Jyotindra. Ganga Devi: Tradition and Expression in Mithila Painting. Ahmedabad: Mapin Publishing Pvt. Ltd

Jagannathan, Shakunthala & Krishna, Nanditha. Ganesha The Auspicious…The Beginning. Mumbai: Vakils, Feffer & Simons Ltd., 2000.

Karunakaran, Rankorath, The Riddle of Ganesha. Bombay: Book Quest, 1995.

Colors of Tradition: Exploring the Artistry Behind Madhubani Paintings

Madhubani painting is also known as Mithila art as it is practiced in the Mithila region of India and Nepal. It has specifically originated from the Madhubani district of the state of Bihar. Traditionally, the women of this region created these paintings and in recent years, it has become a widely practiced art and has now become renowned throughout the world. This art expresses the creativity and culture of the people of Mithila and is passed from one generation to another. In this way, the heritage of Madhubani art has been preserved for many decades. The subjects of these paintings are usually religion, love, and fertility. Sometimes, social events like festivals, weddings, and royal court are also depicted in the paintings. The most commonly painted designs and themes are the forms of Hindu Gods and Goddesses such as Ganesha, Shiva, Saraswati, Lakshmi, Krishna, and Ram. The characteristic features of Madhubani paintings are their vibrant colors and eye-catching geometrical patterns. The empty spaces are filled with traditional motifs such as floral and foliate patterns, animals, birds, geometrical structures, and other designs. The local artists create these paintings using a variety of items such as matchsticks, twigs, brushes, pens, or even their own fingers. The paints are usually made with natural dyes and pigments.
As simple as it may seem, the making process of the world-famous Madhubani paintings is certainly not easy and requires lots of hard labor.
Traditional Madhubani paintings are done either on cloth, handmade paper, or canvas. Select the medium of painting as per your choice. If you have chosen cloth, attach it to cardboard to make a solid base. The making of the painting begins with making a double-lined border. This is a very important step because the border is filled with various geographical shapes and patterns or other motifs. The average width of the border is 1.5 - 2 cm. Now that the border is created, you will be left with a blank middle space. This is the main workspace. Start drawing your choice of figure, designs, and shapes. These must be relevant to the Madhubani painting themes.
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When the key design has been made, the empty spaces in between are filled with some designs.
Now is the time to color the painting using vivid shades and hues. Colors in Madhubani are sourced from nature; Indigo is used to produce blue, flower juice produces red, turmeric gives yellow, leaves produce green, cow dung mixed soot gives black, and rice powder gives white.
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To paint these colors, the artist uses a bamboo stick and wraps cotton around it. This acts as a traditional brush.
The entire painting is now painted using this special brush with natural vibrant colors. · However, in modern times, the common brush is used and instead of natural colors, artists prefer to use acrylic paints.
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Since the entire painting is made with natural materials and colors, it appears simple yet enriching. Originally, this art was created on mud walls or soil grounds but when it evolved over many years, the people of Madhubani started to make it on fabric and paper. Today, this art has become globalized and is receiving worldwide attention and appreciation.
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