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Rama Durbar

$181.50
$242
25% off
Includes any tariffs and taxes
This item can be backordered
Time required to recreate this artwork
6 to 8 weeks
Advance to be paid now
$36.30 (20%)
Balance to be paid once product is ready
$145.20
Specifications
PC33
Orissa's Paata Painting Water Color on Tussar Silk
3.5 ft X 1.9 ft
Delivery and Return Policies
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

A Divine Court of Lord Rama

Transport yourself to the heart of the epic Ramayana with this exquisite Pattachitra painting, a masterpiece of traditional Odishan art. Rendered on a canvas of fine tussar silk, this vibrant depiction showcases the revered Rama Durbar, a scene of divine assembly and regal presence. The rich, earthy tones of the silk provide a perfect backdrop for the meticulous artistry that unfolds, bringing to life a pivotal moment in Hindu mythology.

The Artistry of Pattachitra

This painting is a testament to the enduring legacy of Pattachitra, a classical Indian art form originating from the state of Odisha. Known for its intricate detailing, bold lines, and vibrant color palettes derived from natural pigments, Pattachitra artists traditionally tell stories from Hindu epics and folklore. Here, the artist has masterfully employed water colors on tussar silk, a medium that lends a unique texture and a luminous quality to the artwork. The composition is dynamic, drawing the viewer into the sacred space.

A Scene of Royal Splendor

At the center of the tableau, Lord Rama, with his characteristic serene blue complexion, is seated on a magnificent, ornate throne. Beside him sits his devoted wife, Sita, radiating grace and beauty. They are surrounded by their loyal companions and esteemed members of their court. Observe the detailed rendering of their traditional attire, adorned with intricate patterns and jewelry, reflecting the grandeur of their royal status. The figures flanking the divine couple are depicted with characteristic Pattachitra stylization, their postures and gestures conveying a sense of reverence and duty. To the left, Hanuman, the devoted Vanara, is shown holding a divine garland, a symbol of his unwavering loyalty and strength. Other celestial beings and courtiers are present, each rendered with a unique personality and purpose within the scene. The rich architectural elements, including the arched canopy and ornate pillars, further enhance the regal ambiance, reminiscent of the palaces described in ancient texts. This painting is more than just an artwork; it is a visual narrative, an invocation of divine blessings, and a connection to centuries of cultural heritage. The tradition of Pattachitra is deeply intertwined with the Jagannath temple in Puri, where artists, known as 'Chitrakars', continue to practice this ancient craft, passing down their skills through generations. This Rama Durbar painting captures the essence of this sacred tradition, offering a glimpse into the spiritual and artistic soul of Odisha. It is a piece that resonates with devotion, beauty, and the timeless tales that have shaped Indian culture.

Mastering the Ancient Technique: Exploring the Meticulous Creation of Pattachitra Paintings

The traditional Pattachitra is a scroll painting that is done on cloth. This is revealed in the name; Pattachitra is a Sanskrit term made from two words i.e. Patta meaning cloth and Chitra meaning picture. The main subject of this painting is portraying Hindu mythological narratives, scenes from religious texts, and folktales. Pattachitra paintings are especially practiced in eastern Indian states such as West Bengal and Odisha, and also in some parts of Bangladesh. This art form is closely related to Shri Jagannath and the tradition of the Vaishnava sect. It is believed that Pattachitra art originated in the 11th century and the people of Odisha practice it even today without any discrepancy. Bengalis use these scroll paintings for ritual purposes (as a visual device) during the performance of a song or Aarti.
Pattachitra paintings are characterized by creative and traditional motifs/designs, decorative borders, and bright colorful applications. The outline of the figure and motifs are bold and sharp. Some common shapes and motifs seen in these paintings are trees, flowers, leaves, elephants, and other creatures. The artists of Odisha and Bengal still use the traditional method of painting which gives a unique look to it altogether.

1. Canvas is prepared

The process of painting a Pattachitra begins by preparing the canvas (patta). Generally, cotton cloth is used for making the canvas. The local artists dip the cotton cloth in a mixture of tamarind seeds and water for a few days. The cloth is then taken out and dried in the sun. Now natural gum is applied over it to stick another layer of cotton cloth on it. Thus a thick layer of cotton cloth is formed. This layered cotton is sun-dried and a paste of chalk powder, tamarind, and gum is applied on both sides. The surface of the cloth is then rubbed with two different stones for smoothening and it is again dried. This process gives the cloth a leathery finish and it is now ready to be painted.
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2. Natural colors are made using traditional method

The painters prepare and use vegetable and mineral colors for application in the painting. White color is made from conch shells, black is made by burning coconut shells, Hingula is used for red color, Ramaraja for blue, and Haritala for yellow.
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3. Colors are filled in

The artist now makes a double-lined border on all four sides of the canvas. The local artists are so expert in painting that they do not draw figures and motifs with pencil but directly draw them with a brush. The paint brushes that the painters use are made of the hair of domestic animals, a bunch of which is tied to the end of a bamboo stick. The figures are now painted with natural colors using the indigenous brushes. The outline is thickened with black color.
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4. Painting is given a finishing

Finally, the painting is varnished/glazed to protect it from any damage and to get a glossy shine on the surface.

The making of a Pattachitra is laborious work and therefore, one painting may sometimes take over a month to complete. Due to their classical look, these paintings are admired by people from all over the world. The artistic skills used in Pattachitra are passed down from one generation to another and thus are preserved to date.
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