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Chenrezig (Avalokiteshvara) | Brocadeless Thangka

$673
Includes any tariffs and taxes
Only 1 available
Specifications
CAA906
PURE 24 CARAT GOLD, ACRYLIC PAINT
31.1 inch Height X 19.3 inch Width
Weight 400 gm
Delivery and Return Policies
Usually ships in 6 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

Divine Radiance and Serene Presence

Immerse your living space in boundless compassion with a breathtaking painted masterpiece that captures the essence of supreme enlightenment. You will find that gazing upon the gentle visage instantly dissolves daily stress and inspires a profound sense of inner tranquility. Transform any room into a sacred sanctuary of peace through the mesmerizing gaze of the ultimate bodhisattva.

Masterful Craftsmanship in Pure Gold

Master artisans dedicate countless months to hand-painting every intricate detail using vibrant acrylic paint on prepared canvas. You will appreciate the luxurious application of pure 24 carat gold, which illuminates the glowing halo and ornaments with authentic splendor. Each delicate brushstroke reflects an uncompromising dedication to traditional Himalayan techniques passed down through generations of devoted masters.

Breathtaking Scale and Luminous Detail

Commanding attention with a generous 31.1 inch height and 19.3 inch width, the composition offers an arresting visual focal point for your interior. You will marvel at the four-armed deity gracefully holding sacred implements amidst swirling celestial clouds and protective mythical beasts. The striking crimson backdrop contrasts magnificently with golden linework, creating an extraordinary depth that draws your eye deeper into the meditative landscape.

Embodiment of Infinite Compassion

Rooted in ancient Tibetan Buddhist tradition, the revered figure represents the embodiment of all Buddhas' infinite empathy and active mercy. You are connecting with centuries of spiritual heritage, as the four arms symbolize the four immeasurable states of love, compassion, joy, and equanimity. Viewing the artwork encourages you to cultivate these sublime qualities within your own heart and daily interactions with the world.

Sacred Placement in Your Sanctuary

Hang the unframed masterpiece in your meditation room, personal study, or living area to anchor your daily mindfulness and contemplative practices. You will discover that placing the artwork at eye level creates an ideal focal point for morning reflections and evening relaxation. The brocadeless presentation allows the pure artistry to speak directly to your aesthetic sensibilities without distraction.

Preserving Your Treasured Legacy

Protect your investment by framing the canvas behind UV-resistant glass and displaying it away from direct sunlight to maintain the radiant pigments. You will ensure generations of future admirers can appreciate the gleaming gold leaf and rich colors through gentle, mindful maintenance. Handled with reverence, the sacred depiction will remain a stunning heirloom of spiritual and artistic excellence in your family.

Unveiling the Divine Art: Journey into the Making of Thangkas

A Thangka is a traditional Tibetan Buddhist painting that usually depicts a Buddhist Deity (Buddha or Bodhisattva), a scene, or a mandala. These paintings are considered important paraphernalia in Buddhist rituals. They are used to teach the life of the Buddha, various lamas, and Bodhisattvas to the monastic students, and are also useful in visualizing the deity while meditating. One of the most important subjects of thangkas is the Bhavacakra (the wheel of life) which depicts the Art of Enlightenment. It is believed that Thangka paintings were developed over the centuries from the murals, of which only a few can be seen in the Ajanta caves in India and the Mogao caves in Gansu Province, Tibet. Thangkas are painted on cotton or silk applique and are usually small in size. The artist of these paintings is highly trained and has a proper understanding of Buddhist philosophy, knowledge, and background to create a realistic and bona fide painting.
The process of making a thangka begins with stitching a loosely woven cotton fabric onto a wooden frame. Traditionally, the canvas was prepared by coating it with gesso, chalk, and base pigment.
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After this, the outline of the form of the deity is sketched with a pencil or charcoal onto the canvas using iconographic grids. The drawing process is followed in accordance with strict guidelines laid out in Buddhist scriptures. The systematic grid helps the artist to make a geometrical and professional painting. When the drawing of the figures is finalized and adjusted, it is then outlined with black ink.
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Earlier, a special paint of different colors was made by mixing powdered forms of organic (vegetable) and mineral pigments in a water-soluble adhesive. Nowadays, artists use acrylic paints instead. The colors are now applied to the sketch using the wet and dry brush techniques. One of the characteristic features of a thangka is the use of vibrant colors such as red, blue, black, green, yellow, etc.
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In the final step, pure gold is coated over some parts of the thangka to increase its beauty. Due to this beautification, thangkas are much more expensive and also stand out from other ordinary paintings.
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Thangka paintings are generally kept unrolled when not on display on the wall. They also come with a frame, a silken cover in front, and a textile backing to protect the painting from getting damaged. Because Thangkas are delicate in nature, they are recommended to be kept in places with no excess moisture and where there is not much exposure to sunlight. This makes them last a long time without their colors fading away. Painting a thangka is an elaborate and complex process and requires excellent skills. A skilled artist can take up to 6 months to complete a detailed thangka painting. In earlier times, thangka painters were lamas that spent many years on Buddhist studies before they painted.
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