Ganesha - The Presiding Deity of the Root Chakra

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Ganesha - The Presiding Deity of the Root Chakra

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Name: Ganesha - The Presiding Deity of the Root Chakra
Brand: Exotic India
SKU: PE66
Price: 200.00 USD
Availability: InStock

$172.50

$230

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Time required to recreate this artwork

6 to 8 weeks

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$34.50 (20%)

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Specifications

	PE66
	Artist Rabi Behera
	Orissa's Paata Painting on Tussar SilkArtist Rabi Behera
	16.0" x 21.0"

Delivery and Return Policies


	Returns and Exchanges accepted within 7 days
	Free Delivery

Easy Returns

Return within 7 days of
order delivery.See T&Cs

Fully Insured

All orders are fully insured
to ensure peace of mind.

100% Handmade

All products are
MADE IN INDIA.

With the bulky legs bent at the knees, the right foot slightly raised, Ganesha stands with as much grace as is possible for one with such a massive body. The white faced deity has a pink red-body and eight arms. The multiple limbs attract attention not only by their sheer number but also by the attributes. In the two hands held above his shoulders, he holds a long snake. Besides being associated with Shiva his father, the snake represents the kundalini, the cosmic energy coiled at the base of the spine. To arise, the Kundalini must pass through seven chakras and the root chakra is presided over by Ganesha. In the four hands held away from the body, he holds the lasso, the mace, elephant goad and an axe. In the front two hands he holds a broken tusk and a modaka. Some myths associated with the damaged tusk state that he used it to kill a demon, while others insist that he used it as a writing instrument to pen the epic Mahabharata.

This description by Kiranjyot.

Mastering the Ancient Technique: Exploring the Meticulous Creation of Pattachitra Paintings

The traditional Pattachitra is a scroll painting that is done on cloth. This is revealed in the name; Pattachitra is a Sanskrit term made from two words i.e. Patta meaning cloth and Chitra meaning picture. The main subject of this painting is portraying Hindu mythological narratives, scenes from religious texts, and folktales. Pattachitra paintings are especially practiced in eastern Indian states such as West Bengal and Odisha, and also in some parts of Bangladesh. This art form is closely related to Shri Jagannath and the tradition of the Vaishnava sect. It is believed that Pattachitra art originated in the 11th century and the people of Odisha practice it even today without any discrepancy. Bengalis use these scroll paintings for ritual purposes (as a visual device) during the performance of a song or Aarti.

Pattachitra paintings are characterized by creative and traditional motifs/designs, decorative borders, and bright colorful applications. The outline of the figure and motifs are bold and sharp. Some common shapes and motifs seen in these paintings are trees, flowers, leaves, elephants, and other creatures. The artists of Odisha and Bengal still use the traditional method of painting which gives a unique look to it altogether.

1. Canvas is prepared

The process of painting a Pattachitra begins by preparing the canvas (patta). Generally, cotton cloth is used for making the canvas. The local artists dip the cotton cloth in a mixture of tamarind seeds and water for a few days. The cloth is then taken out and dried in the sun. Now natural gum is applied over it to stick another layer of cotton cloth on it. Thus a thick layer of cotton cloth is formed. This layered cotton is sun-dried and a paste of chalk powder, tamarind, and gum is applied on both sides. The surface of the cloth is then rubbed with two different stones for smoothening and it is again dried. This process gives the cloth a leathery finish and it is now ready to be painted.

2. Natural colors are made using traditional method

The painters prepare and use vegetable and mineral colors for application in the painting. White color is made from conch shells, black is made by burning coconut shells, Hingula is used for red color, Ramaraja for blue, and Haritala for yellow.

3. Colors are filled in

The artist now makes a double-lined border on all four sides of the canvas. The local artists are so expert in painting that they do not draw figures and motifs with pencil but directly draw them with a brush. The paint brushes that the painters use are made of the hair of domestic animals, a bunch of which is tied to the end of a bamboo stick. The figures are now painted with natural colors using the indigenous brushes. The outline is thickened with black color.

4. Painting is given a finishing

Finally, the painting is varnished/glazed to protect it from any damage and to get a glossy shine on the surface.

The making of a Pattachitra is laborious work and therefore, one painting may sometimes take over a month to complete. Due to their classical look, these paintings are admired by people from all over the world. The artistic skills used in Pattachitra are passed down from one generation to another and thus are preserved to date.