Not merely in the Buddhist myths that portray Tara as the goddess of tempestuous seas helping the masses wade their path to safety and redemption, even in Hindu and Jain traditions she is revered as the goddess who guides out of troubles and all kinds of turmoil. Almost all theologies equate sea with life, miseries, misfortunes and trials with sea's uncertainties and upheavals, and a being, with the sailor paddling a boat across it. Thus, allegorically Tara, the goddess of tempestuous oceans, is also the goddess who helps the being wade across all difficulties and misfortunes occurring in life and attain salvation. In some texts, Tara is also seen as the potential of re-creation, which equates her with Saraswati possessing such potential in Hindu tradition. In Jain tradition Tara and Saraswati merge into each other. Here Tara has highly diversified role and form. Brahaddharma purana perceives Tara as representing time, the same as does Kali.
On the contrary, as one of the Mahavidyas, which is essentially a Hindu context, Tara is always fierce, often having a form which strikes with horror, and as exceptionally moody and harmful, holding a pair of scissors in her hands. Here in addition she also carries a sickle, lotus and bowl of fire.
This painting was created in the Vaishnava city of Jagannatha Puri.
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