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MADE IN INDIA.

Hevajra (Buddhist Deity) | Brocadeless Thangka

$1340
Includes any tariffs and taxes
Only 1 available
Specifications
CAA660
PURE 24 CARAT GOLD, ACRYLIC PAINT
47.6 inch Height X 35.4 inch Width
Weight 400 gm
Delivery and Return Policies
Usually ships in 6 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

Awaken Your Space with Divine Power

Transform your environment into a sanctuary of profound spiritual energy and aesthetic majesty. You will find yourself instantly captivated by the fierce yet deeply compassionate presence radiating from every intricate brushstroke. Invite a masterpiece of Himalayan devotion into your daily life to inspire meditation and elevate your aesthetic surroundings.

Masterful Hands and Sacred Materials

Master artisans dedicate countless months to rendering each infinitesimal detail with astonishing precision and reverence. You will appreciate the luminous brilliance of pure 24 carat gold leaf meticulously applied to highlight sacred iconography against rich, vibrant acrylic paint. Every line and contour reflects generations of preserved artistic heritage, ensuring an heirloom-quality creation of unmatched spiritual authenticity.

Breathtaking Scale and Visual Harmony

Commanding attention at a magnificent 47.6 inches in height by 35.4 inches in width, the expansive composition draws your eyes deep into the wrathful deity's mandala. You can trace the multi-armed configuration and exquisite facial expressions, all framed by blazing halos of transcendent wisdom fire. The generous proportions allow every subtle shade and golden accent to breathe, creating an immersive visual experience that rewards hours of contemplative viewing.

Legacy of the Wrathful Protector

Immerse yourself in the rich esoteric traditions of Tibetan Buddhism, where fierce deities symbolize the annihilation of ignorance and ego. You connect directly with centuries of tantric lineage through the dynamic posture and symbolic implements held within the many hands. This wrathful manifestation represents the ultimate, uncompromising compassion required to shatter spiritual illusions and guide practitioners toward enlightenment.

Sanctuary Settings for Contemplation

Hang this breathtaking thangka in your private meditation room, study, or sophisticated living area to establish a profound focal point for reflection. You will elevate your interior design while cultivating an atmosphere of tranquil strength and sacred stillness. Guests and practitioners alike will pause to absorb the fierce grace and luminous detailing that anchor the entire room.

Preserving Your Sacred Heirloom

Protect your investment by framing the artwork behind UV-protective museum glass and hanging it away from direct, harsh sunlight. You will ensure the longevity of the delicate 24 carat gold and rich acrylic pigments for generations of mindful appreciation. Gentle dusting with a soft, dry cloth will keep the surface pristine, allowing the divine radiance to endure indefinitely.

Unveiling the Divine Art: Journey into the Making of Thangkas

A Thangka is a traditional Tibetan Buddhist painting that usually depicts a Buddhist Deity (Buddha or Bodhisattva), a scene, or a mandala. These paintings are considered important paraphernalia in Buddhist rituals. They are used to teach the life of the Buddha, various lamas, and Bodhisattvas to the monastic students, and are also useful in visualizing the deity while meditating. One of the most important subjects of thangkas is the Bhavacakra (the wheel of life) which depicts the Art of Enlightenment. It is believed that Thangka paintings were developed over the centuries from the murals, of which only a few can be seen in the Ajanta caves in India and the Mogao caves in Gansu Province, Tibet. Thangkas are painted on cotton or silk applique and are usually small in size. The artist of these paintings is highly trained and has a proper understanding of Buddhist philosophy, knowledge, and background to create a realistic and bona fide painting.
The process of making a thangka begins with stitching a loosely woven cotton fabric onto a wooden frame. Traditionally, the canvas was prepared by coating it with gesso, chalk, and base pigment.
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After this, the outline of the form of the deity is sketched with a pencil or charcoal onto the canvas using iconographic grids. The drawing process is followed in accordance with strict guidelines laid out in Buddhist scriptures. The systematic grid helps the artist to make a geometrical and professional painting. When the drawing of the figures is finalized and adjusted, it is then outlined with black ink.
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Earlier, a special paint of different colors was made by mixing powdered forms of organic (vegetable) and mineral pigments in a water-soluble adhesive. Nowadays, artists use acrylic paints instead. The colors are now applied to the sketch using the wet and dry brush techniques. One of the characteristic features of a thangka is the use of vibrant colors such as red, blue, black, green, yellow, etc.
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In the final step, pure gold is coated over some parts of the thangka to increase its beauty. Due to this beautification, thangkas are much more expensive and also stand out from other ordinary paintings.
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Thangka paintings are generally kept unrolled when not on display on the wall. They also come with a frame, a silken cover in front, and a textile backing to protect the painting from getting damaged. Because Thangkas are delicate in nature, they are recommended to be kept in places with no excess moisture and where there is not much exposure to sunlight. This makes them last a long time without their colors fading away. Painting a thangka is an elaborate and complex process and requires excellent skills. A skilled artist can take up to 6 months to complete a detailed thangka painting. In earlier times, thangka painters were lamas that spent many years on Buddhist studies before they painted.
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