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11'' Royal Throne With Stone Work From Nepal | Copper Gilded With Gold

$1462.50
$1950
25% off
Includes any tariffs and taxes
Only 1 available
Specifications
MIW513
Copper Gilded With Gold
Height: 11 inch
Width: 9 inch
Depth: 5 inch
Weight 1.50 kg
Delivery and Return Policies
Usually ships in 6 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

A Throne of Sacred Radiance

Behold a masterpiece of Nepalese artistry, a testament to centuries of spiritual devotion and exquisite craftsmanship. This magnificent throne, crafted from copper and gilded with lustrous gold, evokes the grandeur of celestial palaces and the profound symbolism embedded within Buddhist tradition. Its intricate design, a symphony of swirling patterns and vibrant gemstones, speaks of a connection to the divine, a pathway to enlightenment. The very form of this sacred seat whispers tales of ancient wisdom. In the spiritual landscape of Nepal, thrones are not mere furniture but powerful symbols of authority, enlightenment, and the presence of revered beings. Imagine deities seated upon such thrones, their wisdom radiating outwards, guiding seekers towards liberation. The intricate stone work, featuring deep blues of lapis lazuli, the vibrant greens of turquoise, and the fiery reds of coral, adds layers of meaning. Lapis lazuli is often associated with the heavens and divine knowledge, while turquoise symbolizes protection and good health. Coral, imbued with life-giving energy, represents vitality and the unceasing cycle of existence. This throne is not just an object of beauty; it is a conduit for spiritual energy. The meticulous detail, from the delicate filigree work that dances across its surface to the carefully inlaid stones, reflects a profound understanding of sacred geometry and the principles of spiritual adornment. The overall design is reminiscent of the Dharmachakra, the Wheel of Dharma, a powerful symbol representing the teachings of the Buddha and the path to liberation. The ornate structure, with its arched back, draws the eye upwards, towards the heavens, inviting contemplation and spiritual ascent. The base of the throne is adorned with stylized mythical creatures, possibly representing guardians of the sacred space or manifestations of protective energies. These beings, often depicted in Buddhist art to ward off negativity and ensure a safe journey on the spiritual path, add a layer of protective symbolism to this already potent artifact. The gold gilding, a substance revered for its purity and association with divinity, further enhances the sacred aura of the piece. It speaks of imperishable light, the timeless nature of spiritual truth. This throne, a convergence of precious materials and profound symbolism, serves as an altar, a meditation aid, or a centerpiece for sacred rituals, inviting one to connect with the profound spiritual heritage of Nepal.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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