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13" Yamantaka Copper Statue from Nepal | Nepalese Copper Figurines

$1303.50
$1738
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Yamantaka represents a violent aspect of the Bodhisattva Manjushri, and he assumes this formidable form to conquer Yama, the god of death. By defeating Yama, Yamantaka breaks the cycle of rebirths (samsara) that obstructs the path to enlightenment.

 

Yamantaka is characterized by nine faces, thirty-four arms, and sixteen legs, embodying an overwhelming and fierce presence that symbolizes the inability to escape his wrath. His primary face resembles that of a buffalo and features flaming eyebrows, eyelashes, and beard, which enhance his ferocity. Above his main head and positioned between his two horns, there is an incredibly fierce red face. Above this red face appears the youthful yet slightly wrathful visage of Manjushri, creating a complex and potent representation of this protector deity.

Specifications
MIS643
Copper with Gold Plated
Height: 13 inch
Width: 10 inch
Depth: 5 inch
Weight 4.70 kg
Delivery and Return Policies
Usually ships in 6 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

The Conqueror of Death: A Majestic Representation

This awe-inspiring statue depicts Yamantaka, the wrathful emanation of Manjushri, the Bodhisattva of Wisdom. Yamantaka is revered as the conqueror of death and the destroyer of obstacles, both external and internal, that impede spiritual progress. His fierce appearance is not one of malice, but rather a powerful manifestation designed to overcome ignorance, fear, and the cycle of rebirth. In Buddhist traditions, particularly Tibetan Buddhism, Yamantaka is a pivotal deity invoked for protection, to vanquish negative forces, and to attain profound wisdom. His iconography is rich with symbolism, embodying the ultimate victory over delusion.

Artistry from the Heart of Nepal

Crafted with meticulous attention to detail in Nepal, a land steeped in spiritual heritage, this statue is a testament to the enduring skill of Nepalese artisans. Fashioned from robust copper and then meticulously plated with gold, the sculpture gleams with an inner radiance that mirrors the divine essence of Yamantaka. The lustrous gold finish enhances the intricate carvings, bringing forth the dynamism of the deity's posture and the fierce beauty of his expression. The flame-like aureole that encircles him is rendered with exquisite precision, symbolizing the purification and transcendence that Yamantaka embodies. Each element, from the fearsome visage to the powerful stance, is a deliberate artistic choice that conveys the potent energy of this divine protector.

Echoes of Myth and Devotion

Yamantaka's legends are deeply intertwined with the quest for enlightenment. It is said that he emerged in his fearsome form to subdue Yama, the lord of death, who held beings captive in the cycle of suffering. By conquering Yama, Yamantaka liberated countless beings and demonstrated the ultimate power of wisdom to overcome mortality. He is often depicted with multiple heads, arms, and legs, each symbolizing different aspects of his enlightened activity. This particular representation captures his dynamic power, poised to vanquish all that hinders the path to liberation. The statue serves as a powerful focal point for meditation and devotion, inviting practitioners to connect with Yamantaka's protective and wisdom-bestowing energies. Its presence can be a reminder of the impermanence of life and the profound importance of seeking true understanding.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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