16" Goddess Tara Copper Statue from Nepal | Buddhist Goddess Idols

•

Easy Returns

Return within 7 days of
order delivery.See T&Cs

Fully Insured

All orders are fully insured
to ensure peace of mind.

100% Handmade

All products are
MADE IN INDIA.

16" Goddess Tara Copper Statue from Nepal | Buddhist Goddess Idols

Email

Whatsapp

Facebook

Pinterest

Twitter

Copy link

Name: 16" Goddess Tara Copper Statue from Nepal | Buddhist Goddess Idols
Brand: Exotic India
SKU: CAA092
Price: 2430.00 USD
Availability: InStock

$2278.50

$3038

25% off

Includes any tariffs and taxes

Only 1 available

Dynamism in her flowing attire, mystically swaying frills of the golden crown and a stillness held in her blissful facial expressions, Goddess Tara is a source of soothing serenity for the devotee. Her both hands are gracefully posed in the Vitarka mudra, which embodies the granting of heartfelt wishes. Her Utpala rises up to both shoulders, which is a sign of wisdom. Her crown is adorned with precious jewels, symbolizing her spiritual wealth and spiritual power. The deity is seated on a lotus throne and her presence exudes an air of stillness that harmonizes her beauty.

Notify me when this item is available

Specifications

	CAA092
	Copper With Gold
	Height: 16 inch
	Width: 12 inch
	Depth: 9 inch
	Weight 7.20 kg

Delivery and Return Policies

	Usually ships in 6 days
	Returns and Exchanges accepted within 7 days
	Free Delivery

Easy Returns

Return within 7 days of
order delivery.See T&Cs

Fully Insured

All orders are fully insured
to ensure peace of mind.

100% Handmade

All products are
MADE IN INDIA.

Embodiment of Compassion and Enlightenment

Behold this magnificent, commanding statue, a testament to the profound artistry and deep spiritual devotion of Nepalese craftsmanship. Cast in copper and meticulously gilded with gold, this piece transcends mere decoration, serving as a powerful conduit for divine energy and a visual reminder of the path to enlightenment. The shimmering gold, often associated with purity, divinity, and the sun's life-giving power in many cultures, lends an ethereal glow to the serene form, inviting contemplation and reverence. ––––––––––

The Radiant Tara

This exquisite representation embodies Tara, the revered female bodhisattva in Mahayana Buddhism. Known as the "Mother of Liberation," Tara is a swift savior, a goddess of enlightened action and compassionate activity. Legend tells that Tara emerged from a teardrop shed by the bodhisattva Avalokiteshvara, weeping for the suffering of sentient beings. Her compassionate heart manifests in myriad forms, each embodying a distinct aspect of her enlightened wisdom and power to overcome obstacles. This particular depiction likely reflects Green Tara, the most active and dynamic manifestation, who is often shown ready to spring into action to aid those in need. Her serene countenance, with downcast eyes suggesting profound inner peace, belies her immense power to protect from fear and delusion. ––––––––––

Artistry and Symbolism

The intricate details of this statue speak volumes of the skill of the artisans. The flowing robes are adorned with delicate incised patterns, hinting at the unseen workings of karma and dharma. Her posture, seated in the lotus position, signifies spiritual discipline and the attainment of higher consciousness. Each hand is posed with specific mudras, gestures laden with symbolic meaning. The right hand, resting on her knee, is often depicted in the boon-granting gesture (varada mudra), offering blessings and fulfilling wishes. The left hand, gracefully raised, may hold the stem of a lotus, symbolizing purity and the unfolding of wisdom, or be in the gesture of refuge (abhaya mudra), offering protection from fear. The elaborate crown and jewelry further adorn the divine form, signifying her celestial status and rich spiritual attributes. The use of copper as the base material is significant; it is considered a sacred metal, often used in rituals and believed to possess purifying properties. The gold gilding amplifies this sacredness, creating an object that is both a work of art and a potent spiritual tool. ––––––––––

A Sacred Presence

This statue is more than an object; it is an invitation to connect with the boundless compassion and wisdom of Tara. Whether placed in a home shrine, meditation space, or as a focal point of mindful living, it serves as a constant source of inspiration, encouraging the practitioner to cultivate inner strength, overcome challenges with grace, and extend kindness to all beings. Its commanding size and luminous presence make it a truly remarkable centerpiece for any collection dedicated to sacred art and Buddhist devotion.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.

At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.

The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.

The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.