19" Goddess Green Tara Gilded Copper Nepalese Statue | Tibetan Buddhist Deity Idol

•

Easy Returns

Return within 7 days of
order delivery.See T&Cs

Fully Insured

All orders are fully insured
to ensure peace of mind.

100% Handmade

All products are
MADE IN INDIA.

19" Goddess Green Tara Gilded Copper Nepalese Statue | Tibetan Buddhist Deity Idol

Email

Whatsapp

Facebook

Pinterest

Twitter

Copy link

Name: 19" Goddess Green Tara Gilded Copper Nepalese Statue | Tibetan Buddhist Deity Idol
Brand: Exotic India
SKU: NLH082
Price: 3310.00 USD
Availability: InStock

$3103.50

$4138

25% off

Includes any tariffs and taxes

Only 1 available

A sense of lavishness is endowed to the representation of goddess Green Tara, seen in this gilded copper Nepalese statue, highlighted in her fuller face, rich ornaments, and luxurious attire. The flow of spring is condensed in copper for the regal aureole of Tara, adorned with coral and turquoise pieces. A diaphanous scarf diagonally placed on her torso outlines the lithesome form of the goddess brilliantly. A balance between the movement of her flowing scarf and the stillness of her facial expressions has given this statue an aesthetic richness.

Notify me when this item is available

Specifications

	NLH082
	Copper With Gold
	Height: 19 inch
	Width: 13 inch
	Depth: 8 inch
	Weight 8.60 kg

Delivery and Return Policies

	Usually ships in 6 days
	Returns and Exchanges accepted within 7 days
	Free Delivery

Easy Returns

Return within 7 days of
order delivery.See T&Cs

Fully Insured

All orders are fully insured
to ensure peace of mind.

100% Handmade

All products are
MADE IN INDIA.

Embodying Compassion and Action: A Gilded Icon of Green Tara

This magnificent statue, meticulously crafted from gilded copper in Nepal, offers a tangible connection to the profound wisdom and compassionate energy of Green Tara, a revered deity in Tibetan Buddhism. Standing at an impressive height, this artwork is more than just an idol; it is a visual representation of liberation from fear and a symbol of swift, enlightened action. The rich, warm glow of the gilding evokes the sun's radiant warmth and the preciousness of spiritual attainment, while the intricate details speak to the boundless skill of the artisans who brought this divine form to life. Green Tara is known as the "Mother of Liberation" and is often depicted seated in a posture of effortless grace, one leg extended, ready to spring into action to assist beings in need. In this statue, her posture embodies this readiness, while the serene expression on her face conveys a deep sense of peace and unwavering compassion. Her gentle gaze invites introspection and solace, offering a point of focus for meditation and prayer. The elaborate ornamentation, including the delicate crowns and flowing celestial robes, are adorned with vibrant precious stones, mirroring the richness and beauty of the enlightened mind.

Mythological Significance and Cultural Resonance

According to Buddhist lore, Green Tara emerged from a tear shed by Avalokiteshvara, the Bodhisattva of Compassion, as he wept for the suffering of the world. Her emergence signifies the compassionate aspect of enlightenment in its most active form. Unlike other deities who may be more contemplative, Tara is known for her immediate responsiveness to pleas for help. She is invoked to overcome obstacles, dispel fear, grant protection, and inspire courage. Her green hue symbolizes her active, youthful energy and her connection to the vital forces of nature, suggesting that liberation and protection are as natural and abundant as the growth of plants. This statue, therefore, becomes a conduit for invoking these powerful qualities into one's own life and space. The craftsmanship itself, hailing from Nepal, a land deeply steeped in Buddhist tradition, adds another layer of authenticity and spiritual resonance, connecting the owner to a lineage of devotion spanning centuries.

A Masterpiece of Devotion and Artistry

The meticulous attention to detail in this statue is a testament to the devotion and skill of Nepalese artisans. The finely sculpted facial features, the intricate patterns etched into her garments, and the dynamic flow of her headdress are all rendered with exquisite precision. The vibrant accents of red and blue stones, often representing different aspects of spiritual realization or overcoming negativity, add depth and visual appeal to the predominantly golden form. The lotus throne upon which she rests symbolizes purity and spiritual awakening, providing a solid and sacred foundation for this powerful deity. This statue is designed to be a focal point in any sacred space, a source of inspiration, and a constant reminder of the ever-present compassionate energy that can guide and protect us on our spiritual journey. Its substantial size ensures a commanding presence, making it suitable for altars, meditation rooms, or as a striking centerpiece in a collection of devotional art.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.

At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.

The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.

The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.