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19" Green Tara Copper Figurine from Nepal

$2868.75
$3825
25% off
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Only 1 available

Dressed in a queenly brocaded dhoti with ethnic patterns, ornamented by jewelry chosen from features of traditional Nepalese statues, Green Tara here is a vision of the Buddhist ideal of divine maternal virtues. Mirroring the suppleness of Tara’s physique, the flowers and scarf in the statue curve and flow on her side, instilling the composition with scenic beauty. The inverted lotus throne on which Green Tara is placed has been meticulously designed, with the footrest for the goddess, who is swift and compassionate in her action. 

Specifications
MIT039
Copper with Gold Plated
Height: 19 inch
Width: 14 inch
Depth: 10 inch
Weight 8.50 kg
Delivery and Return Policies
Usually ships in 6 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

Embodiment of Compassion and Enlightenment

This magnificent copper figurine, gilded with pure gold, embodies the divine presence of Green Tara, a revered bodhisattva in Mahayana Buddhism. From the heart of Nepal, a land steeped in spiritual traditions, this masterpiece is a testament to the exquisite craftsmanship and profound devotion that characterize Nepalese artistry. Green Tara is not merely a deity; she is the active, compassionate aspect of enlightenment, a swift protector and guide who responds to the prayers of those in need with remarkable speed and grace. Her name itself signifies "star," hinting at her role as a guiding light, a beacon of hope in the darkness of suffering.

The Attributes of Green Tara

Seated in the serene posture of royal ease, her left leg drawn up and her right leg extended, Green Tara exudes an aura of tranquil power. In her right hand, she displays the *varada mudra*, a gesture of giving and offering, symbolizing her boundless generosity and the fulfillment of wishes. Her left hand, resting on her knee, holds the stem of a lotus flower, a potent symbol of purity, spiritual awakening, and the unfolding of enlightenment. The lotus, which blooms even in muddy waters, represents the ability to remain untainted by the world's imperfections while still engaging with it. Green Tara is often depicted with a youthful, radiant countenance, her eyes conveying a deep sense of empathy and understanding. Adorned with a crown and elaborate jewelry, she signifies her royal status as a celestial princess, a manifestation of wisdom and compassion. The intricate details of her garments and adornments speak to the skill of the artisans who brought this divine form to life.

A Patron of Protection and Overcoming Obstacles

The myth of Green Tara's origin is as compelling as her form. It is said that she arose from the tears of Avalokiteshvara, the bodhisattva of compassion, as he gazed upon the suffering of the world. Her swift emergence and protective nature are often likened to the speed of a mother's response to her child's cry. She is particularly invoked to overcome fear, obstacles, and adversity. Her green complexion signifies her active, dynamic energy, the force that dispels ignorance and negative forces. She is known as the "Mother of all Buddhas" and the "Swift Protector," embodying the active engagement with the world that is necessary for liberation. The presence of this figurine in your home or meditation space can serve as a constant reminder of her watchful presence, offering solace, protection, and inspiration on your spiritual journey. This exquisite copper and gold-plated sculpture from Nepal is not just an object of art; it is a vessel of divine blessings and a powerful symbol of hope and compassion.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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