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28" Wooden Lord Blessing Shiva

$3079.50
$4106
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An ornate lalitasana Shiva. Carved from teakwood in a rich proportion of detail. On a throne decorated with lotus petals He sits, with the avidyaroopi Apasmara struggling beneath the single foot of the pendant leg. A miniscule Ganesha sculpture in His musical form has been carved on to the edge of the throne, in the same stance as that of His father.


The teakwood medium lends this sculpture a rich, earthy tone. It is a deep ochre colour, leaning heavily towards brown. Hints of texture along the face, the torso, and the limbs. In the posterior left hand of the chaturbhujadhari is a quadruped. This is indicative of the Pashupatinath roopa of Lord Shiva.


It takes a great deal of skill on the part of the artisan to work with teakwood. It is particularly evident in the sections of vine framing Shiva’s face, as well as those that spread all around His hips and thighs. The same goes for the throne upon which He is seated.

Specifications
MIT706
TEAK WOOD
Height: 28 inch
Width: 18 inch
Depth: 7 inch
Weight 13 kg
Delivery and Return Policies
Usually ships in 6 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

A Majestic Representation of Divine Grace

This exquisite wooden sculpture captures the serene and benevolent countenance of Lord Shiva, revered as the destroyer and transformer in the Hindu trinity. Carved from the finest teak wood, known for its durability and rich grain, this piece stands as a testament to meticulous craftsmanship and deep spiritual devotion. The artist has breathed life into the solid wood, imbuing the deity with a sense of eternal peace and compassionate power. The Lord is depicted in a seated posture, radiating an aura of profound tranquility. His multiple arms, a common iconography representing his omnipotence and manifold abilities, are adorned with bracelets and intricately carved jewelry. One hand is raised in a gesture of blessing (Abhaya Mudra), offering protection and dispelling fear, while another gracefully holds an object, perhaps symbolizing his dominion over cosmic energies or his role in maintaining universal balance. The serene smile and the gentle gaze of his eyes invite contemplation and a sense of inner peace for the observer.

Symbolism and Cultural Significance

Shiva, the Mahadeva, is a complex deity embodying both asceticism and primal energy. He is often depicted with a third eye that burns away ignorance, a crescent moon in his hair symbolizing control over the mind, and a serpent coiled around his neck, representing his mastery over venom and ego. The trident (Trishul) is his primary weapon, signifying the three gunas (Sattva, Rajas, Tamas) and his power to overcome them. In this carving, while not explicitly shown, the essence of these attributes is felt through the deity's commanding presence and the detailed ornamentation. The tranquil yet powerful form resonates with the stories of Shiva as the Yogi, meditating on Mount Kailash, and as the Nataraja, the cosmic dancer whose Tandava rhythm sustains and dissolves the universe. This sculpture serves as a focal point for devotion, meditation, and a connection to the divine. The base of the sculpture is a work of art in itself, featuring intricate carvings that add layers of meaning. Figures at the base may represent devotees or celestial beings, further enhancing the narrative and devotional aspect of the piece. The lotus motifs, commonly seen in Hindu art, symbolize purity, spiritual awakening, and divine beauty, elevating the sacredness of the deity. The meticulous attention to detail in the robes, ornaments, and the overall posture reflects the artisan's dedication and understanding of Shiva's multifaceted divinity. This teak wood carving is more than just an art piece; it is an embodiment of spiritual aspirations and a conduit for divine blessings in any sacred space.

Sculpting Serenity: Unveiling the Art of Crafting Wood Statues

Wood has been a preferred material for sculptures and statues since ancient times. It is easy to work with than most metals and stones and therefore requires less effort to shape it into any desired shape or form. The texture of the wood gives an element of realism to the sculpture. The selection of an appropriate wood type is necessary for carving. Woods that are too resinous or coniferous are not considered good for carving as their fiber is very soft and thus lacks strength. On the other hand, wood such as Mahogany, Oakwood, Walnut wood, Weet cherry wood, etc., are preferred by sculptors because their fiber is harder. A wood sculptor uses various tools such as a pointed chisel in one hand and a mallet in another to bring the wood to the desired measurement and to make intricate details on it. A carving knife is used to cut and smooth the wood. Other tools such as the gouge, V-tool, and coping saw also serve as important tools in wood carving. Although the wood carving technique is not as complex and tough as stone carving or metal sculpting, nonetheless, a wood carver requires a high level of skills and expertise to create a stunning sculpture.

1. Selecting the right wood

The process of wood carving begins with selecting a chunk of wood that is required according to the type and shape of the statue to be created by the sculptor. Both hardwoods and softwoods are used for making artistic pieces, however, hardwoods are preferred more than softer woods because of their durability and longevity. But if heavy detailing is to be done on the statue, wood with fine grain would be needed as it would be difficult to work with hardwood.
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2. Shaping the wood

Once the wood type is selected, the wood carver begins the general shaping process using gouges of various sizes. A gouge is a tool having a curved cutting edge which is useful in removing large unwanted portions of wood easily without splitting the wood. The sculptor always carves the wood across the grain of the wood and not against it.
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3. Adding detailing

When a refined shape of the statue is obtained, it is time for making details on the statue using different tools. This is achieved by using tools such as a veiner to make and a V-tool to create decorative and sharp cuts.
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4. Surface finishing

Once finer details have been added, the sculptor is ready to smoothen the surface and give it a perfect finish. Tools such as rasps and rifflers are used to get a smooth surface. The finer polishing is obtained by rubbing the surface with sandpaper. If a textured surface is required, this step is skipped. Finally, to protect the statue from excessive dirt accumulation, the sculptor applies natural oils such as walnut or linseed oil all over it. This also brings a natural sheen to the statue.
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How to care for Wood Statues?


Wood is extensively used in sculpting especially in countries like China, Germany, and Japan. One feature that makes the wood extremely suitable for making statues and sculptures is that it is light and can take very fine detail. It is easier for artists to work with wood than with other materials such as metal or stone. Both hardwoods, as well as softwood, are used for making sculptures. Wood is mainly used for indoor sculptures because it is not as durable as stone. Changes in weather cause wooden sculptures to split or be attacked by insects or fungus. The principal woods for making sculptures and statues are cedar, pine, walnut, oak, and mahogany. The most common technique that sculptors use to make sculptures out of wood is carving with a chisel and a mallet. Since wooden statues are prone to damage, fire, and rot, they require proper care and maintenance.

 

  • Wood tends to expand and contract even after it has been processed, thus it is always recommended to keep the wooden sculptures in rooms with little humidity. Excess moisture can harm your masterpiece.

 

  • Periodical dusting of the finished piece is necessary to maintain its beauty as dust accumulation on the surface takes away the shine of the sculpture. You can use a clean and soft cloth or a hairbrush for this purpose.

 

  • You must avoid applying any chemical-based solutions that may damage the wood from the inside. Instead, you can apply lemon oil or coconut oil using a cotton rag to the sculpture to bring out its natural shine. Lemon oil also helps to clean any stains on the sculpture.

 

  • Applying a layer of beeswax protects the wood from sun damage and hides even the smallest imperfections on the wood.

 

It is extremely important to preserve and protect wooden sculptures with proper care. A little carelessness and negligence can lead to their decay, resulting in losing all their beauty and strength. Therefore, a regular clean-up of the sculptures is a must to prolong their age and to maintain their shine and luster. 

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