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51" Large Tibetan Buddhist Goddess Green Tara Idol from Nepal

$20,564.25
$27,419
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Only 1 available

Most are aware of Green Tara’s birth from the tear of Avalokiteshwara. In another version, the goddess was initially a princess called the “Moon of Knowledge” who practiced meditation to a level where she was able to salvage souls as a Bodhisattva and thus came to be known as Tara- the saviouress. The gilded copper Nepalese Green Tara statue exalts the benevolence of Tara, by presenting her in the most enchanting manner. Adorned with her attributes, on a lotus seat and haloed brilliantly, Tara carries an aura of divinity on her face. 

Specifications
MIS690
COPPER WITH GOLD PLATED
Height: 51 inch
Width: 38 inch
Depth: 25 inch
Weight 101 kg
Delivery and Return Policies
Usually ships in 6 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

Embodiment of Compassion and Action

This magnificent Tibetan Buddhist Goddess Green Tara idol, meticulously crafted in Nepal, stands as a powerful representation of compassion, wisdom, and enlightened activity. Green Tara, revered across Tibetan Buddhism, is the manifestation of the active aspect of compassion, born from a tear of Avalokiteshvara, the Bodhisattva of Compassion, as he wept for the suffering of the world. This exquisite statue captures her dynamic energy and benevolent grace, making it a truly awe-inspiring centerpiece for any sacred space or collection. The deity is depicted in her characteristic posture of ease and readiness to act. Her right leg is slightly extended, signifying her willingness to descend and offer aid, while her left leg is folded in a meditative pose. In her left hand, she holds the stem of a lotus flower, symbolizing her purity and spiritual unfolding. The right hand is raised in the gesture of *varada mudra*, the boon-granting gesture, bestowing blessings and protection upon her devotees. The intricate detailing of her facial features—serene eyes, a gentle smile, and a serene expression—reflects her profound wisdom and unwavering compassion. Adorned with elaborate crowns, ornate jewelry, and flowing silks, the goddess emanates an aura of regal beauty and divine power.

Artisanship and Cultural Significance

Fashioned from high-quality copper and meticulously gold-plated, this large-scale idol showcases the unparalleled artistry of Nepalese craftsmanship. The rich patina of the copper provides a warm, earthy foundation, while the lustrous gold plating highlights the divine features and symbolic elements with celestial brilliance. The vibrant colors—deep maroon, rich black, and shimmering silver—are expertly applied, adding depth and dimension to the sculpture. Each element, from the flowing drapery to the symbolic lotus and the intricate halo, is rendered with exceptional detail, reflecting centuries of tradition and devotion. The cultural significance of Green Tara extends far beyond her role as a protector; she is also a guide on the path to enlightenment, assisting practitioners in overcoming obstacles and cultivating positive qualities. Her presence is believed to dispel fear, anxiety, and illness, offering solace and strength to those who invoke her name. The scale of this impressive statue, measuring fifty-one inches in height, makes it a truly commanding presence. It is not merely an object of devotion but a testament to the enduring spiritual heritage of Tibet and Nepal, a tangible connection to the wisdom and compassion embodied by Green Tara. This masterpiece serves as a constant reminder of the transformative power of spiritual practice and the boundless love that permeates the universe.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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