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MADE IN INDIA.

7" Crowned Vajradhara From Nepal

$650
Includes any tariffs and taxes
Specifications
WSA041
Copper
Height: 7.5 inch
Width: 4 inch
Depth: 6 inch
Weight 1.48 kg
Delivery and Return Policies
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

The Primordial Buddha Embodied in Copper

This exquisite copper statue, crafted in the heart of Nepal, depicts Vajradhara, the Adi-Buddha, the primordial Buddha from whom all other Buddhas emanate. Vajradhara is the ultimate source of all enlightenment and the embodiment of the enlightened mind itself. In Tibetan Buddhism, Vajradhara is considered the dharmakaya Buddha, the truth body of enlightenment, representing the pure, unmanifest reality of Buddhahood. This representation is not of a historical Buddha but of the very essence of awakening. The figure is seated in the vajra posture, the traditional meditative pose symbolizing stability and unwavering concentration, upon a lotus throne. The lotus, a potent symbol in Buddhist iconography, signifies purity and spiritual growth, as it rises unstained from muddy waters to bloom radiantly. Vajradhara is adorned with the regal ornaments of a *sambhogakaya* deity – a celestial or enjoyment body Buddha – including a crown, earrings, necklaces, and bracelets. This crowned form, often referred to as a "Crown Buddha," signifies his supreme sovereignty over the universe and his immense compassion and wisdom. The mudra, or hand gesture, displayed is the vajra humkara mudra. Vajradhara's hands are crossed at the chest, with the right hand holding a vajra (thunderbolt scepter) and the left hand holding a ghanta (bell). The vajra represents skillful means and compassion, while the bell symbolizes wisdom and emptiness. Their union signifies the inseparable nature of wisdom and compassion, the ultimate key to enlightenment. This gesture is a powerful reminder of the interconnectedness of all phenomena and the ability to overcome obstacles with these enlightened qualities.

A Testament to Nepalese Craftsmanship and Spiritual Heritage

This statue is a profound work of art, meticulously cast from copper, a metal revered for its conductive properties and enduring beauty. Nepalese artisans have a long and illustrious tradition of creating sacred objects, passed down through generations. Each detail, from the serene expression of Vajradhara's face to the intricate ornamentation of his crown and robes, reflects a deep understanding of Buddhist cosmology and artistic mastery. The patina of the copper, achieved through skilled craftsmanship, lends a sense of antiquity and spiritual depth to the sculpture, hinting at the countless moments of devotion and contemplation it has inspired. Vajradhara plays a pivotal role in many Vajrayana Buddhist tantras and is central to the Dzogchen teachings. He is often depicted as the source of the Tantric lineage, the one who initiated the path for practitioners seeking rapid enlightenment. In myths, Vajradhara is said to have revealed the ultimate teachings directly to the assembled Buddhas and bodhisattvas, providing the gateway to profound spiritual realization. Owning or contemplating this image is an invitation to connect with this primordial wisdom and to cultivate the seeds of enlightenment within oneself. This statue serves not merely as a decorative piece but as a conduit for spiritual reflection and a reminder of the boundless potential for awakening that resides within us all.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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