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Return within 7 days of
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Fully Insured
Fully Insured
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to ensure peace of mind.
100% Handmade
100% Handmade
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MADE IN INDIA.

Chenrezig

HK$2143
Includes any tariffs and taxes
Specifications
ZO62
Copper Sculpture
Height: 5.3 inch
Width: 3.5 inch
Depth: 2.5 inch
Weight 6 kg
Delivery and Return Policies
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

A Glimpse of Compassion

This exquisitely crafted copper sculpture captures the essence of profound compassion and embodies the bodhisattva ideal. Measuring 5.3 x 3.5 x 2.5 inches, this piece makes a powerful addition to any sacred space, meditation corner, or personal altar, serving as a constant reminder of the power of empathy and the path to enlightenment. The sculpture beautifully depicts the deity seated in a meditative posture upon a lotus throne, a symbol of purity and spiritual awakening. The intricate detailing throughout the piece showcases the skill and devotion of the artisan. From the serene expression on the deity's face to the elaborate crown adorning the head, every element is designed to evoke a sense of peace, tranquility, and unwavering compassion.

The Embodiment of Avalokiteśvara

In Tibetan Buddhism, this figure is revered as the embodiment of compassion, known by various names across different cultures. Avalokiteśvara in Sanskrit, this revered being embodies the boundless compassion of all Buddhas. It is believed that Avalokiteśvara vowed to liberate all beings from suffering before attaining Buddhahood. In some traditions, Avalokiteśvara is said to have emanated from a tear shed by Amitabha Buddha, a testament to the power of compassion to transform suffering into wisdom. Legends say that Avalokiteśvara's head split into eleven pieces when trying to comprehend the suffering of all sentient beings, from which Amitabha Buddha constructed eleven faces, granting the ability to hear the cries of all. The deity is often depicted with multiple arms, representing the many ways in which compassion can be expressed and the ability to reach out to all beings in need. In some depictions, each hand holds a different symbolic object, such as a lotus flower, a mala (prayer beads), or a water pot, each representing a specific aspect of the path to enlightenment and the alleviation of suffering. The hands held in the gesture of prayer symbolize both worship and the devotion to the bodhisattva ideal. Whether you're a seasoned practitioner or simply seeking a reminder of the power of compassion in your daily life, this piece is sure to bring a sense of peace and serenity to any space. The solid copper construction ensures both beauty and durability, making this a timeless treasure to be cherished for years to come.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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