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Guhyasamaja-Manjuvajra in Yab Yum

AED5706
Specifications
RI08
Copper Sculpture Gilded with 24 Karat Gold
Height: 10 inch
Width: 6 inch
Depth: 4.5 inch
Weight 3.64 kg
Delivery and Return Policies
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

Deity in Union: An Iconic Representation of Buddhist Philosophy

Behold an embodiment of profound Tantric Buddhist principles, meticulously crafted to capture the divine union of wisdom and compassion. This striking sculpture depicts the deity in Yab Yum, a symbolic representation of the inseparable nature of male and female energies in the journey toward enlightenment. Each detail has been carefully considered to convey the depth and complexity of this sacred concept. Crafted from copper and gilded with radiant 24 Karat gold, the statue exudes an aura of spiritual power and serene beauty. The intricate details showcase the exceptional skill of the artisans, making it a valuable piece for collectors and practitioners alike. Its dimensions, at 10.0 x 6.0 x 4.5 inches, render it a commanding presence, yet suitably sized for display in personal shrines, meditation spaces, or art collections.

The Significance of Yab Yum in Tibetan Buddhism

The Yab Yum posture is central to understanding advanced Tibetan Buddhist teachings. 'Yab' signifies the male deity, representing skillful means or compassion, while 'Yum' represents the female deity, symbolizing wisdom. Their embrace embodies the union of these qualities essential for attaining enlightenment. It's a powerful visual metaphor, intended to transcend simplistic interpretations of sexuality and instead guide practitioners toward a deeper understanding of interconnectedness and the merging of seemingly opposite forces. The multi-headed and multi-armed form of the deity further emphasizes the boundless nature of awakened consciousness. Each hand holds symbolic implements, representing various aspects of Buddhist practice, from the sword of discriminating wisdom to the bow and arrow of focused intention. Gazing upon this sacred work serves as a constant reminder of the path to enlightenment.

A Treasured Artifact

This gilded copper sculpture is not merely an object of beauty; it is a potent symbol of profound philosophical and spiritual truths. This powerful representation of sacred union serves as a constant reminder to integrate wisdom and compassion in every aspect of one’s life. Its presence is sure to enrich any space with a sense of profound peace, spiritual insight and a connection to the ancient lineage of Buddhist wisdom.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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