Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

Guru Dragmar

$362
Includes any tariffs and taxes
Specifications
ZO51
Copper Sculpture gilded with 24 Karat Gold
Height: 11 inch
Width: 8 inch
Depth: 3.6 inch
Weight 3 kg
Delivery and Return Policies
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

Introduction

Elevate your sacred space with this meticulously crafted copper sculpture, a powerful representation of esoteric spiritual forces. This awe-inspiring piece, standing at 11 inches tall, is more than just a decorative object; it is a tangible connection to the profound and transformative energies of Vajrayana Buddhism. The intricate details and vibrant 24 Karat gold gilding bring this deity to life, creating a focal point for meditation, contemplation, and spiritual practice.

Deity and Iconography

The figure you see before you embodies a potent aspect of spiritual practice. The three faces, each with piercing eyes and a wrathful expression, symbolize the overcoming of the three poisons: ignorance, attachment, and aversion. The multitude of arms holds various ritual implements, representing the skillful means to conquer negative forces and obstacles. The figure stands atop a kila, a three-sided peg or dagger, which embodies the piercing and binding of demonic forces. The kila itself is often depicted with a wrathful face.

Craftsmanship and Materials

This stunning sculpture is expertly crafted from copper, a metal valued for its durability and ability to conduct energy. The entire piece is then meticulously gilded with 24 Karat gold. Gold in Buddhism is often considered the most precious of metals, representing purity, enlightenment, and the radiant nature of the awakened mind. This gilding not only enhances the visual appeal of the sculpture but also imbues it with auspicious energy, making it a powerful addition to any altar or meditation space. The sculpture’s dimensions are 11.0 x 8.0 x 3.6 inches.

The Kila: A Powerful Symbol

The kila, upon which the deity stands, is not merely a base but a crucial element of the imagery. In Tibetan Buddhism, the kila is a ritual implement used to subdue negative forces and establish sacred space. It is often associated with wrathful deities who embody the fierce compassion necessary to overcome obstacles on the path to enlightenment. The kila symbolizes the piercing of illusion and the binding of negativity, creating a foundation for spiritual growth and transformation. In Tibetan folklore, the kila can also be used for weather control.

Cultural Significance

Owning and displaying a statue such as this connects you to a rich lineage of spiritual practitioners and centuries of artistic tradition. It serves as a reminder of the ongoing struggle against internal and external obstacles, and the potential for profound transformation through dedicated practice. Invite the powerful presence of this deity into your home and allow its vibrant energy to inspire your spiritual journey. This sculpture is a conversation piece and powerful item for meditation practices. Display in a location where it will serve as a reminder of the work to be done. It also makes a wonderful addition to any shrine or altar.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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