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Incense Burner Buddha Atop with Auspicious Symbolls

Rs.7245
MRP
Inclusive of All Taxes
Specifications
ZBA77
Copper Brass and Inlay
Height: 29 cm (11.5 inch)
Width: 11.5 cm (4.5 inch)
Depth: 11.5 cm (4.5 inch)
Weight 450 gm
Statutory Information
Delivery and Return Policies
Returns and Exchanges accepted within 7 days
Free Delivery
Delivery from: India
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

A Vessel of Tranquility and Auspicious Blessings

Invite serenity and a touch of the divine into your space with this exquisite incense burner. Crafted with meticulous attention to detail from copper and brass, this piece is not merely a functional item but a work of art that carries the weight of ancient symbolism and spiritual significance. Its design draws inspiration from the rich tapestry of Buddhist traditions, making it a perfect addition to any meditation room, altar, or simply as a captivating decorative piece in your home. The pinnacle of this burner is crowned with a serene Buddha, seated in meditation, a timeless representation of enlightenment and peace. This motif evokes the teachings of Siddhartha Gautama, who achieved Nirvana and shared his path to liberation with the world. The Buddha's presence atop the structure symbolizes the aspiration for inner peace and the pursuit of wisdom, reminding all who behold it of the potential for spiritual awakening. ––––––––––––––––––

A Symphony of Symbols and Materials

The cylindrical body of the burner is a testament to skilled craftsmanship, featuring intricate filigree work that allows the fragrant smoke of incense to gracefully ascend, carrying prayers and intentions. Banding the cylinder are segments of deep, vibrant lapis lazuli, a stone historically revered for its celestial associations and believed to possess protective qualities. Inlaid within these sapphire-like panels are ornate golden medallions depicting scenes of auspicious significance. These may represent various deities or celestial beings, perhaps a representation of the Wheel of Dharma, symbolizing the Buddha's teachings, or other protective deities like Garuda, a mythical bird often associated with divine power and the vanquishing of negativity. Further adding to the burner's allure are segments of vibrant turquoise, another gemstone steeped in cultural significance across various traditions, often associated with protection, healing, and communication. The base of the burner flares outwards, adorned with further mosaics of turquoise, coral-like red stones, and hints of inscribed symbols, perhaps mantras or blessings, further enhancing its sacred aura. The interplay of copper, brass, lapis lazuli, and turquoise creates a visually stunning composition, each material contributing to the overall sense of opulence and spiritual resonance. ––––––––––––––––––

Echoes of Ancient Rituals

Incense has been used for millennia across cultures and spiritual practices, from ancient Egyptian rituals to Hindu ceremonies and Buddhist meditations. The burning of incense is often seen as a way to purify the environment, ward off negative energies, and create a sacred atmosphere conducive to prayer, contemplation, and spiritual connection. This burner, with its commanding presence and symbolic embellishments, is designed to elevate these practices. It serves as a conduit for the aromatic essences, transforming them into a fragrant offering that can help clear the mind, deepen focus, and foster a profound sense of tranquility. Its heritage-rich design invites contemplation of the ancient wisdom and devotional practices it represents, making it a powerful object for both aesthetic appreciation and spiritual engagement.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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