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Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

Incense Sticks Holder and Burner with Ashtamangala Symbols

$115
Includes any tariffs and taxes
Specifications
ZBZ68
Copper statue with Inlay
Height: 3 inch
Width: 4 inch
Depth: 4 inch
Weight 270 gm
Delivery and Return Policies
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

A Tapestry of Tradition and Tranquility

This exquisite incense holder and burner is a testament to masterful craftsmanship, blending rich cultural symbolism with functional elegance. Crafted from durable copper and adorned with vibrant inlay work, it serves not merely as an object of utility, but as a focal point for contemplation and spiritual practice. The design is inspired by the profound aesthetic and philosophical traditions of Buddhism, making it a beautiful addition to any sacred space or mindful corner of your home.

Whispers of the Ashtamangala

The decorative elements adorning this burner are deeply rooted in Buddhist iconography, specifically the Ashtamangala, or the Eight Auspicious Symbols. These symbols, often seen in mandalas and thangkas, represent the offerings made by the gods to the Buddha upon his enlightenment. Each symbol carries profound meaning: the endless knot symbolizes the interconnectedness of all things and the union of wisdom and compassion; the conch shell represents the melodious sound of the Dharma, calling sentient beings to awakening; the victory banner signifies the triumph of the Buddha's teachings over ignorance; the parasol offers protection from suffering and harmful forces; the lotus flower represents purity and spiritual awakening, emerging unstained from the mud; the wheel of dharma symbolizes the Buddha's teachings and the path to liberation; the vase of treasures embodies spiritual and material abundance; and the pair of golden fish represents freedom from the ocean of suffering. The presence of these revered symbols imbues the burner with a sense of sacredness and positive energy.

A Vessel for Serenity

The central cylindrical portion of the burner is meticulously inlaid with striking turquoise, its natural veining adding a unique beauty to each piece. Encircling this is a band of rich copper, featuring a sculpted face that evokes the serene visages found in Buddhist art, often representing protective deities or benevolent spirits. The base of the burner expands outwards into a lotus-like form, each petal also intricately decorated with the golden Ashtamangala symbols. This delicate, tiered design not only captures the essence of a blooming lotus, a powerful symbol of spiritual growth, but also provides ample space to safely collect ash from burning incense. The overall effect is one of refined artistry and profound spiritual resonance, inviting a sense of calm and focus into your environment.

Crafted for Devotion and Decor

This incense burner is more than just a decorative item; it is an invitation to cultivate mindfulness and create an atmosphere of peace. The warm glow of burning incense, paired with the visual harmony of the copper and turquoise, can transform any space into a sanctuary. Its compact size makes it ideal for placing on altars, meditation desks, or side tables, where its intricate details can be fully appreciated. The careful inlay work and the symbolic significance of the Ashtamangala make this a truly special piece, perfect for personal devotion, as a thoughtful gift for loved ones, or to simply enhance the spiritual ambiance of your living space.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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