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100% Handmade
100% Handmade
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MADE IN INDIA.

Japanese Buddha

$454
Includes any tariffs and taxes
Specifications
EO42
Copper Statue
Height: 12 inch
Width: 7 inch
Depth: 6 inch
Weight 2.90 kg
Delivery and Return Policies
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

A Timeless Symbol of Enlightenment

This exquisite statue, meticulously crafted from copper, is a powerful representation of Buddhist principles and aesthetics. Seated in a meditative pose, the figure exudes a sense of tranquility and profound wisdom. This statue transcends mere decoration; it is a tangible connection to centuries of spiritual practice and artistic tradition. Its presence invokes a sense of peace and invites contemplation, enriching any space with its serene aura. The statue measures 12.0 x 7.0 x 6.0 inches.

The Lotus Seat: A Symbol of Purity

Notice the lotus pedestal upon which the figure sits. In Buddhist iconography, the lotus is a powerful symbol. Just as a lotus flower rises, pristine and untainted, from muddy waters, so too can individuals rise above suffering and attain enlightenment. This representation of the lotus root is significant because it symbolizes purity of heart and mind, faithfulness, and spiritual awakening. The blooming lotus is the full flowering of spiritual awareness. The detailed rendering of the lotus petals showcases the craftsmanship and reverence instilled in this piece.

Copper Legacy and Enduring Beauty

Crafted from copper, this statue not only possesses inherent beauty but also boasts a timeless quality. Copper has been revered for centuries for its durability and attractive color, which deepens and enriches over time, developing a unique patina. This natural aging process adds to the statue's character, making it a treasured heirloom to be passed down through generations.

The Crown of Enlightenment

The figure is depicted wearing a complex crown, this is not just ornamentation. It is a symbol of the Buddha's wisdom and sovereignty over the spiritual realm. Each element of the crown has significance, reminding the viewer of the Buddha's teachings and his supreme enlightenment. The crown is a visual reminder of the potential for inner transformation and the attainment of higher consciousness.

An Invitation to Inner Peace

Whether you are a seasoned practitioner of Buddhist philosophy or simply drawn to the statue's inherent beauty and the sense of peace it inspires, this copper statue is an exquisite addition to your home or meditation space. Its enduring presence will serve as a constant reminder of the path to enlightenment and the importance of cultivating inner peace in a world of constant change. Placed thoughtfully within your environment, this statue offers an opportunity for reflection and a deeper connection to the wisdom traditions of the East.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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