Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

Kubera

₽15,068
Includes any tariffs and taxes
Specifications
ZAL22
Copper Statue
Height: 5.7 inch
Width: 4.7 inch
Depth: 2.5 inch
Weight 750 kg
Delivery and Return Policies
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

Embodying Prosperity and Benevolence

This exquisite copper statue captures the divine essence of a revered deity associated with wealth, fortune, and abundance. Seated in a posture of serene authority, the figure exudes an aura of benevolent power, inviting prosperity and good fortune into any space it graces. Crafted with meticulous attention to detail, the rich, aged patina of the copper speaks to its enduring quality and the timeless nature of the blessings it represents. The intricate ornamentation, from the ornate crown to the layered necklaces and bracelets, showcases masterful artistry, transforming a mere statue into a work of profound spiritual significance.

The Divine Dispenser of Riches

In ancient lore, this deity is known as the King of the Yakshas, a celestial guardian of hidden treasures and the dispenser of wealth to those who honor him. Legends tell of his immense riches, accumulated through his dedication to upholding dharma and his commitment to protecting the earthly realm. He is often depicted holding a mongoose, which, when squeezed, disgand jewels and precious stones, symbolizing his inexhaustible capacity for bestowing material blessings. The story of his own acquisition of wealth is rooted in deep devotion and asceticism, highlighting that true prosperity is often earned through righteous means and unwavering faith.

A Symbol of Abundance and Protection

More than just a symbol of material wealth, this deity is also revered as a protector and bestower of well-being. His presence is believed to ward off misfortune, alleviate poverty, and foster an environment of peace and prosperity. In many traditions, devotees pray to him for success in their endeavors, for financial stability, and for the overall flourishing of their families and communities. This statue serves as a tangible reminder of these aspirations, a focal point for meditation and prayer, and a beautiful testament to the enduring human quest for abundance and security. Its compact size makes it a versatile addition to any altar, desk, or sacred space, bringing its auspicious energy wherever it is placed.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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Frequently Asked Questions
  • Q. Is the statue hollow or solid ?
    A. Brass statues are made through a process of clay casting, hence are hollow. Whereas, panchaloha bronze statues are made through a process of lost wax casting, hence they are solid.
  • Q. Can I return the statue ?
    A. Of course you can return a statue. Returns need to be initiated within seven (7) days after delivery. All returned items must be in new and unused condition, with all original tags and labels attached. To know more about our Return Policy, please visit Return Policy.
  • Q. Can you customise the statue for me ?
    A. For any customisation, kindly email us at help@exoticindia.com.
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