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Large Superfine Tsongkhapa Gilded Copper Nepalese Statue

$7120.50
$9494
25% off
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A great Buddhist master who excelled in Abhidharma (metaphysics), Madhyamika (middle path), prajnaparamita (knowledge), pramana (logic), and Vinaya (rules for monks), Tsongkhapa in this gilded copper Nepalese statue is presented in the act of disseminating the knowledge of Buddha. He is wearing a golden cap, worn by traveling monks, and fine robes and sits in the Padmasana- a posture for meditation. His hands mirror the Dhammachakrapravartana mudra- the gesture of Buddha during his first sermon and his face carries a serenity typical of Buddha idols, underlining his proximity to Buddhahood. 

Specifications
MIT020
Copper with Gold Plated
Height: 43 inch
Width: 30 inch
Depth: 17.5 inch
Weight 45 kg
Delivery and Return Policies
Usually ships in 6 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

An Embodiment of Wisdom and Compassion

This magnificent statue depicts Je Tsongkhapa, the revered founder of the Gelug school of Tibetan Buddhism, a lineage often referred to as the "Yellow Hat" tradition. His teachings, deeply rooted in the Indian Mahayana tradition, emphasized a synthesis of scholastic study, meditation, and ethical conduct. Tsongkhapa, born in Tsongkha region of Amdo in 1357, is often compared to the Buddha himself in terms of his spiritual attainments and the profound impact of his work on the Buddhist world. It is said that upon his birth, the mother saw visions of pure light, and his body was marked by auspicious signs, signifying his destined role as a spiritual leader. The artistry of this Nepalese masterpiece is breathtaking. Crafted from copper and lavishly gilded with pure gold, it captures the serene and enlightened presence of the great master. The meticulous details, from the intricate patterns on his robes to the delicate rendering of his facial features, speak of generations of skill passed down through Nepalese artisans. The vibrant colors, particularly the deep maroon of his monastic attire, accented with gold and silver detailing, evoke a sense of spiritual richness and profound devotion. The elaborate, flame-like aureole behind him symbolizes the brilliant wisdom that illuminated the path to enlightenment for countless followers. The lotus base, a universal symbol of purity and spiritual awakening, elevates the figure, signifying his transcendent nature.

Symbolism and Significance

In the statue, Tsongkhapa holds the Vajra, also known as a dorje, in his right hand. This ritual object, meaning "thunderbolt" or "diamond," represents indestructibility, power, and the enlightened mind that is unshakeable by delusion. In his left hand, he holds a blue lotus, a symbol of the Buddha's pure and undefiled nature, a reminder of the potential for enlightenment within all beings. The posture of seated meditation, with legs crossed in the lotus position, signifies deep concentration and inner peace. The serene expression, with half-closed eyes, suggests profound contemplation and detachment from worldly distractions. This statue serves not only as an object of devotion but also as a powerful reminder of the teachings and the spiritual path that Tsongkhapa illuminated. He is often depicted with a monk's cap, signifying his scholarly and monastic leadership, a tradition that continues to flourish today. The statues are often blessed and consecrated, imbuing them with spiritual energy and making them powerful focal points for meditation and prayer.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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