In this sculpture in brass, Buddha is seated on a lotus seat (padmasana) in deep meditation, with the soles of the feet turned upwards. He wears a monastic garment reaching from the shoulders to the ankles, leaving the right shoulder and breast left base. His right hand touches the earth in bhumi sparsha mudra. The left hand lies in his lap with the palm turned upwards with a vace placed on it. With the Buddha image, the human figure for the first time in the history of art came to be invested with supreme spiritual and moral values. He acquired thirty-two superior and eighty inferior auspicious outward marks indicative of his spiritual attainments. The most important of the thirty-two superior marks is the full sized usmisa (the protuberance of the skull), which becomes the receptacle for the divine mind. The skull and the protuberance are covered with flat locks of hair ritually turned to the right (the direction of happiness).
This description by Renu Rana.