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Made in Nepal Gau Box (Tibetan Buddhist Portable Shrine)

$86
Includes any tariffs and taxes
Specifications
ZDG37
Copper Statue
Height: 4.9 inch
Width: 4.2 inch
Depth: 1.6 inch
Weight 160 gm
Delivery and Return Policies
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

A Portable Sanctuary of Sacred Symbolism

This exquisite copper shrine, meticulously crafted in Nepal, embodies the profound spiritual heritage of Tibetan Buddhism. Designed as a portable sanctuary, or "gau box," it serves as a sacred vessel to hold precious relics, mantras, or small deities, allowing practitioners to carry their devotion wherever they journey. Its intricate detailing and robust construction speak to the skilled artistry passed down through generations, transforming a functional object into a work of devotional art. The surface of this shrine is adorned with a rich tapestry of auspicious symbols and imagery. At the apex, a lotus blossom motif symbolizes purity, enlightenment, and spiritual awakening, reminiscent of the Buddha's birth in a lotus flower. Flanking the central opening, one can discern depictions of the Eight Auspicious Symbols (Ashtamangala), each carrying deep meaning. The endless knot, for instance, represents the interconnectedness of all things and the Buddha's infinite wisdom and compassion. The conch shell symbolizes the far-reaching proclamation of the Dharma, while the victory banner signifies the triumph of Buddhism over ignorance. These symbols are not merely decorative; they are visual representations of the spiritual path and its ultimate attainments, intended to inspire contemplation and mindfulness.

Echoes of Tradition and Devotion

The design of this gau box evokes the architectural style of Tibetan monasteries and temples, creating a miniature sacred space. The central aperture, framed by ornate borders, is an invitation to place a sacred object within, transforming the box into a personal altar. The copper material itself holds significance in Buddhist traditions, often used for sacred objects due to its conductivity and its association with spiritual energy. The warm, coppery hue enhances the feeling of reverence and tradition. The presence of small loop handles on either side suggests its intended portability, a nod to the nomadic lifestyle of many practitioners and the need to carry sacred items during travels or retreats. In ancient times, such portable shrines might have been carried by monks on their pilgrimages, offering solace and a constant connection to the Dharma. The craftsmanship speaks to a deep understanding of Tibetan Buddhist iconography and the spiritual significance of each element. This gau box is more than just an object; it is a tangible connection to a rich spiritual lineage, a testament to faith, and a beautiful reminder of the sacred within the everyday. Its presence can bring a sense of peace and spiritual focus to any space.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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