Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

Mahakala Phurpa with the Buddha Head Atop

$1518
Includes any tariffs and taxes
Specifications
XO66
Copper and Wood
Height: 23 inch
Width: 4.5 inch
Depth: 4.5 inch
Weight 4.33 kg
Delivery and Return Policies
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

The Symbolic Dagger

The phurpa, also known as a *kila* or magic dagger, is an important ritual object used in Tibetan Buddhism and Bon traditions. Far more than a simple dagger, it is a powerful symbolic tool used for spiritual practice, particularly in subduing negative forces, cutting through ignorance, and transforming obstacles into opportunities. Its origins are rooted in pre-Buddhist shamanic traditions of the Himalayan region, later incorporated and refined within Buddhist philosophy. The phurpa is envisioned not just as a weapon against external demons, but as a representation of the practitioner's ability to conquer inner demons – negative emotions like anger, greed, and delusion. By focusing on the phurpa during meditation and rituals, practitioners visualize the piercing and transmutation of these destructive forces. The three-sided blade often symbolizes the transformation of these three poisons into wisdom.

Deities Embodied

This particular phurpa is rich in symbolic details. The multiple faces are not merely decorative; they represent the multifaceted nature of enlightened awareness and the various aspects of the deity embodied within the phurpa. Mahakala, a wrathful protector deity, is often represented on the phurpa. In Tibetan Buddhism, Mahakala serves as a fierce defender of the Dharma, dispelling obstacles and guarding practitioners on their spiritual path. His wrathful form is not born of anger but of compassion; he acts decisively to remove hindrances that prevent beings from attaining enlightenment. The prominence of his imagery on this phurpa highlights its potent protective qualities. Crowning this powerful protector is the serene face of the Buddha. This represents the ultimate goal of Buddhist practice: enlightenment and liberation from suffering. The presence of the Buddha atop the Mahakala figure illustrates the union of wisdom and compassion, the integration of peaceful and wrathful energies. It signifies that even the most powerful and fierce energies are ultimately guided by wisdom and the aspiration for the well-being of all beings.

Craft and Composition

Crafted with care from copper and wood, this piece is both visually striking and spiritually significant. The wood forms the foundation of the piece, providing a sense of groundedness and stability, while the copper embellishments highlight the intricate details and the vibrant energy of the deities represented. The combination of these materials reflects the blend of earthly and spiritual realms. The craftsmanship speaks to a deep understanding of Buddhist iconography and ritual practices. The careful rendering of the deities' faces, the intricate details of their ornaments, and the overall composition of the phurpa demonstrates a skilled artistry rooted in tradition. This piece is not simply an object of art; it is a carefully crafted tool for spiritual transformation and protection.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
Image
At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
Image
The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
Image

The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
Image
Add a review
Have A Question
By continuing, I agree to the Terms of Use and Privacy Policy