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Easy Returns
Return within 7 days of
order delivery.See T&Cs
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Fully Insured
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to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

Prayer Wheel with Double Dorje Stand

$35
Includes any tariffs and taxes
Specifications
ZCA06
Copper and Brass
Height: 3.6 inch
Width: 1.7 inch
Depth: 1.7 inch
Weight 80 gm
Delivery and Return Policies
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

A Gateway to Inner Peace and Enlightenment

This exquisite prayer wheel, a potent symbol of Buddhist practice, invites you to embark on a journey of spiritual cultivation and mindful reflection. Crafted from a harmonious blend of copper and brass, its intricate design and tactile presence evoke a sense of timeless tradition and sacred devotion. The cylindrical body is adorned with deeply etched Tibetan mantras, each turn of the wheel a silent repetition of these sacred syllables, believed to invoke blessings and purify the mind. The golden hues of the mantras stand in beautiful contrast against the weathered copper, suggesting the enduring nature of spiritual wisdom.

The Auspicious Dorje Stand

Perched upon a unique stand featuring the double dorje, this prayer wheel is elevated to a new level of symbolic significance. The dorje, a ritual object in Vajrayana Buddhism, represents indestructibility, wisdom, and the ultimate reality that cannot be cut or broken. Its double form signifies the union of wisdom and compassion, or the triumph over all obstacles. This stand not only provides a stable and elegant base but also imbues the entire piece with the potent energy of this sacred symbol, grounding the spiritual practice in a foundation of unwavering strength. The craftsmanship of the stand, with its detailed legs, speaks to the dedication and artistry involved in its creation.

Whispers of the Himalayas

Prayer wheels, particularly those found in Tibetan Buddhism, are far more than mere decorative objects. Legend tells that the first prayer wheel was conceived by the Bodhisattva Avalokiteshvara, who, in a vision, saw the power of rotating mantras. The practice of spinning a prayer wheel is believed to be equivalent to reciting the mantras contained within it, multiplying their spiritual potency. Each rotation is said to accumulate merit, purify negative karma, and generate a profound sense of peace and well-being for the spinner and for all sentient beings. In the remote monasteries of the Himalayas, monks and lay practitioners alike spin these wheels with devotion, sending waves of blessings across the vast landscapes.

A Vessel of Sacred Sound and Intent

The small, intimate size of this prayer wheel makes it an ideal companion for personal meditation or as a sacred accent in your home or altar. The gentle spin of the wheel, perhaps guided by your fingertips, creates a subtle, resonant hum that can help to quiet the mind and foster a deeper connection to your inner self. The turquoise-colored stones adorning the top further enhance its visual appeal and are often associated with healing and protection in various spiritual traditions. This prayer wheel is more than an object; it is a tangible representation of aspiration, a tool for transformation, and a beautiful reminder of the profound spiritual heritage it embodies.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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