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Primordial Buddha Vajradhara in Vajra-Humkara Mudra

$825
Includes any tariffs and taxes
Specifications
ZAG62
Copper Statue with Silver
Height: 7 inch
Width: 6 inch
Depth: 5 inch
Weight 1.35 kg
Delivery and Return Policies
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

The Adibuddha

Vajradhara, often referred to as the Adibuddha or the Primordial Buddha, embodies the essence of enlightenment and the origin of all tantric teachings within Tibetan Buddhism. As the source from which all Buddhas emanate, Vajradhara represents the dharmakaya, the body of truth, which is the ultimate, unmanifested nature of Buddhahood. He is not a historical figure but a symbolic representation of the potential for enlightenment that resides within each being. Vajradhara is typically depicted in a deep blue color, symbolizing emptiness and the vastness of primordial awareness. His iconography is rich with symbolism, communicating profound philosophical concepts. He is the silent teacher, the source of all wisdom, the embodiment of the realization that all phenomena are, at their core, empty of inherent existence.

Vajra-Humkara Mudra

This exquisite statue portrays Vajradhara in the Vajra-Humkara Mudra, a gesture that signifies the union of wisdom and skillful means, compassion and emptiness. The hands are crossed at the wrists in front of the chest, each holding a vajra, a ritual object symbolizing the indestructible nature of enlightenment and the powerful force that shatters ignorance. This particular mudra emphasizes the transformative power of tantric practice, illustrating the potential to swiftly attain enlightenment through the integration of seemingly opposing forces. The vajra held in each hand is not merely an object, but a representation of diamond-like clarity and strength, cutting through delusion and illuminating the true nature of reality. The crossing of the hands symbolizes the inseparability of wisdom and compassion, emphasizing that true enlightenment is not solely an intellectual understanding but a compassionate engagement with the world.

Craftsmanship and Materials

Crafted from copper and enhanced with silver, this statue showcases the skill and artistry of Nepalese craftsmanship. The copper provides a warm, grounding presence, while the silver accents highlight the intricate details of the deity's adornments and the lotus throne upon which he sits. This careful blending of materials reflects the fusion of earthly and transcendent realms. From the detailed crown to the gentle curve of the lips, every aspect of the statue is crafted with meticulous attention to detail. The ornamentation, the flowing robes, and the serene expression all combine to create a powerful and evocative image of enlightenment. Placed in a meditation space or personal shrine, this statue serves as a potent reminder of the innate potential for awakening that resides within us all.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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