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Superfine Chinese Deity Crowned Kṣitigarbha Copper Statue from Nepal

$3478.50
$4638
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In the East Asian culture of the Mahayana sect of Buddhism, Kshitigarbha is the Bodhisattva who looks after the Six Realms of Rebirth, which are six separate worlds where different beings reside. Kshitigarbha is often seen as the Buddhist equivalent of Yama, who controls different life forms according to their deeds. This Nepalese statue of Kshitigarbha presents the Bodhisattva in Chinese idiom, visible in his facial features and ornamentation. Carrying the loveliness of youth, Kshitigarbha emanates a divine serenity.

Specifications
MIW488
Copper Gilded With Gold
Height: 14 inch
Width: 10.5 inch
Depth: 8 inch
Weight 1.70 kg
Delivery and Return Policies
Usually ships in 6 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

Kṣitigarbha: The Earth-Womb Bodhisattva

Behold a magnificent depiction of Kṣitigarbha, a revered Bodhisattva celebrated throughout East Asia, particularly in Chinese and Japanese Buddhism. This stunning Nepalese statue, crafted from copper and gilded with gold, captures the essence of compassion and unwavering dedication that defines Kṣitigarbha. This image is particularly unique, as it presents Ksitigarbha in a crowned, deity-like form that is typically reserved for Buddhas and more advanced Bodhisattvas. He is typically shown as a simple monk, but crowned here to suggest that he has attained a level of enlightenment that demands it. The statue emanates an aura of serenity and power, a testament to the profound significance of this Bodhisattva within the Buddhist pantheon.

Dimensions and Craftsmanship

This exquisite piece measures 14.0 inches in height, 10.5 inches in width, and 8.0 inches in depth. Its creation embodies the pinnacle of Nepalese artistry, where the legacy of metalworking traditions extends back centuries. Each curve, each subtle detail, is meticulously rendered in copper, the base metal then adorned with radiant gold gilding. This process results in a visually captivating and enduring work of art. Note the intricate detail of his elaborate crown and jewelry. The lotus base upon which Ksitigarbha sits is carefully designed and meticulously ornamented.

Kṣitigarbha's Vow and His Realm

Kṣitigarbha, whose name translates to "Earth-Womb" or "Earth Store," is deeply connected to the realms of the suffering. Legend has it that he took a monumental vow: not to achieve Buddhahood until all hells are emptied. His unwavering commitment to liberate sentient beings from suffering has made him a beloved figure for those seeking solace and guidance. He's known as the protector of children, particularly those who have died young, and the guide of souls through the bardo (the intermediate state between death and rebirth). Often depicted with a shaven head and simple robes, like a monk, he often holds a staff with tinkling rings (the khakkhara) to alert beings to his presence, and a wish-fulfilling jewel (cintamani). He traverses the realms of the suffering, offering aid and guidance to those trapped in lower realms.

A Symbol of Boundless Compassion

This Kṣitigarbha statue is more than just a beautiful object; it is an embodiment of profound compassion and the unwavering commitment to alleviate suffering. Displaying this artwork in your home or sacred space serves as a constant reminder of the Bodhisattva's vow and inspires a spirit of empathy, kindness, and dedication to the well-being of all beings. This statue will surely be a centerpiece of any collection of Buddhist art.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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