Superfine Six-Armed White Mahakala Copper Statue - Made in Nepal
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MADE IN INDIA.

Superfine Six-Armed White Mahakala Copper Statue - Made in Nepal

$928.12
$1650
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Shadabhuja (six-armed) Shweta (White) Mahakala is an aspect of the Buddhist wrathful deity, revered across Tibetan Buddhism. In this splendid gilded copper statue from Nepal, the ferocious and potent Shadabhuja Shweta Mahakala appears, radiating an otherworldly aura. Essentially a deity of wealth and auspiciousness, Mahakala as the name signifies is the one who has won over Kaala (time and death). This virtue is presented in the ornamentation of Mahakala.

 

The braids of Mahakala flame, symbolize the fiery nature of pure wisdom, an iconographical feature mirrored by his brows and beard. The three eyes of Mahakala are wide open, signifying his active and powerful presence. Jeweled ornaments, a crown with conch motif, and delicate attire adorn Mahakala, and he carries weapons and attributes used by him to cut worldly ties and enlighten the path of his followers.

 

The icon is placed on an artistically sculpted lotus pedestal, and surrounded by a flaming aureole, which symbolizes the upward motion of the fire of enlightenment.

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Specifications
ZEM813
Copper Sculpture gilded with 24 Karat Gold
Height: 13.5 inch
Width: 5 inch
Depth: 10 inch
Weight 5.20 kg
Delivery and Return Policies
Ships in 1-3 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

Embodiment of Divine Protection and Prosperity

This exquisite copper statue, meticulously crafted in Nepal, portrays the formidable yet benevolent deity Mahakala in his six-armed, white form. A powerful protector in Vajrayana Buddhism, Mahakala is revered as a fierce guardian against obstacles, a vanquisher of negativities, and a bestower of wealth and abundance. The statue's radiant gilded surface, adorned with 24-karat gold, amplifies its spiritual aura, making it a truly awe-inspiring centerpiece for any altar or sacred space.

Symbolism and Iconography

The multifaceted symbolism of Mahakala is richly represented in this sculpture. His six arms each hold specific implements, signifying his ability to overcome the six passions or afflictions of the mind: desire, hatred, ignorance, pride, envy, and stinginess. The primary right hand often holds a vajra, symbolizing indestructibility and the power to cut through ignorance. Other hands may carry a kapala (skull cup) to symbolize the emptiness of phenomena, a lasso to bind negative forces, and a sword to sever delusion. The agitated expression with bared fangs and bulging eyes is not one of anger but of immense compassion, a fearsome visage intended to terrify and subdue negative forces that threaten practitioners on their spiritual path. The third eye on his forehead signifies his omniscient wisdom. His white complexion, in this form, symbolizes the purity and clarity of the enlightened mind.

Mahakala in Buddhist Lore

Mahakala is a wrathful emanation of Avalokiteshvara, the Bodhisattva of Compassion. This transformation from a gentle deity to a fierce protector highlights the doctrine that compassion can manifest in powerful, protective forms when necessary. In Tibetan folklore, Mahakala is often depicted dancing atop prostrate figures, symbolizing his dominion over ignorance and suffering. Tales recount how he appeared to protect the Buddha and his teachings from demonic forces, solidifying his role as a supreme guardian. He is invoked for protection from worldly dangers, psychic attacks, and internal mental hindrances, and also to attract prosperity and success in spiritual endeavors, aligning with his name which translates to "The Great Black One" or, in his white aspect, "The Great White One" – both signifying his all-encompassing power.

Artistry and Craftsmanship

The artistry of this Nepalese creation is evident in every detail. The copper base is expertly worked, featuring intricate patterns and raised lotus motifs that elevate the deity. The figure of Mahakala himself is rendered with remarkable dynamism, his posture conveying immense energy and readiness to act. The flowing robes, the ornate jewelry, and the detailed facial features are all testament to the skill of the artisans. The meticulous application of 24-karat gold gilding imbues the statue with a luminous glow, capturing the divine essence of Mahakala and making it a truly breathtaking work of devotional art. This statue is not merely an object of worship but a powerful testament to the rich artistic traditions and profound spiritual heritage of Nepal.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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