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Superfine Tibetan Buddhist Seven Eyed Goddess White Tara - Made in Nepal

$1097.25
$1463
25% off
Includes any tariffs and taxes
In Buddhism, White Tara is the first female Buddha or the Bodhisattva who is referred to be as white and as bright as the moon itself. She is always depicted as a peaceful deity, thus, she is the emanation of a strong energy of compassion and healing.

Purity and sanctity reaches the next level with this exotic and expensive blend of copper and gold, as 24-karat gold embeds into this statue, that exhibits the seven-eyed goddess, resting gracefully on an intricate petal podium that soothes the eye. Her beauty is enhanced with an eye-catching neon and scarlet red chocker necklace, a draping Mala, the exquisite and magnificent Jhumkas and various valuable wrist and arm bands that adorn her skillfully carved figure. Her fine hands hold beautiful lotus that extend to decorate the backdrop.

Bewitching eyes are emblazoned all over her sculpture which are amazingly complimented with the breathtaking floral backdrop that has fantastic serpentine designs that perfectly curve through every turn, tinted in maroon and soft blue and green colors that weave through the beauty, displaying the complexity of the artistic wonders that has taken place. The statue is apparelled in a bow cincture that extends into a beautifully embroidered and pleated shalwar, turning out to be an awestriking ornamental sculpture.

Specifications
ZEM812
Copper Sculpture gilded with 24 Karat Gold
Height: 11 inch
Width: 4 inch
Depth: 9.5 inch
Weight 2.40 kg
Delivery and Return Policies
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

Embodiment of Compassion and Swift Action

This exquisite statue depicts the Seven-Eyed Goddess White Tara, a revered Bodhisattva in Tibetan Buddhism, known for her boundless compassion and her ability to swiftly alleviate suffering. Crafted in Nepal, a land steeped in spiritual tradition, this artwork is more than just an object; it is a conduit for divine grace and a testament to centuries of artistic devotion. The statue is fashioned from high-quality copper, meticulously sculpted and then lavishly gilded with pure 24-karat gold, ensuring a radiant and enduring brilliance that reflects the purity and luminous nature of the goddess herself.

The Iconography of White Tara

White Tara is characterized by her serene countenance and her seven eyes – two in her forehead, one on each palm, and one on each sole of her feet. These eyes symbolize her all-seeing, omniscient awareness, capable of perceiving every sentient being's troubles and needs. Her seven eyes are said to represent the seven stages of enlightenment, or the seven emotions she can overcome. She is depicted seated in the lotus posture, a symbol of purity and spiritual awakening. In her right hand, she typically holds the stem of a lotus flower, signifying purity and potential, while her left hand is often in the gesture of bestowing blessings or protection, assuring followers of her readiness to assist. The intricate details of her crown, adorned with precious stones, and the delicate lines of her robes speak to the masterful craftsmanship of the artisans who brought this sacred image to life.

A Protector and Guide

In Buddhist lore, White Tara is believed to have emerged from the teardrop of Avalokiteshvara, the Bodhisattva of Compassion, as he wept for the suffering of the world. This origin story underscores her profound empathy and her dedicated mission to protect sentient beings from fear, sickness, and worldly afflictions. She is invoked for longevity, healing, and the removal of obstacles, making her a beloved figure for devotees seeking solace and strength. Her presence is a constant reminder of the potential for wisdom, compassion, and enlightened action within all beings. This statue, with its palpable aura of peace and divine presence, serves as a powerful focal point for meditation and prayer, inviting the blessings of White Tara into your home or sacred space.

Crafted with Devotion in Nepal

This masterpiece is a product of traditional Nepalese artistry, a region renowned for its deep-rooted Buddhist heritage and its highly skilled artisans who have passed down their craft through generations. The painstaking process of copper casting, followed by the delicate application of gold gilding, requires immense precision and a profound understanding of spiritual symbolism. The vibrant colors that embellish the decorative aureole behind White Tara further enhance the statue's visual appeal and spiritual significance, representing the myriad facets of enlightened consciousness. Owning this statue is not just acquiring a beautiful object, but connecting with a lineage of artistic and spiritual devotion that spans centuries.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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