Tibetan Buddhist Deity Amitabha Buddha - Made in Nepal

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Name: Tibetan Buddhist Deity Amitabha Buddha - Made in Nepal
Brand: Exotic India
SKU: ZED92
Price: 85.00 USD
Availability: InStock

$98

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Specifications

	ZED92
	Copper Statue Gilded with 24 Karat Gold
	Height: 3.5 inch
	Width: 2.6 inch
	Depth: 1.5 inch
	Weight 160 gm

Delivery and Return Policies


	Returns and Exchanges accepted within 7 days
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Fully Insured

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100% Handmade

All products are
MADE IN INDIA.

The Golden Radiance of Amitabha

Invoking the boundless light of compassion, this exquisite statue of Amitabha Buddha is a testament to the rich artistic heritage of Nepal. Crafted from copper and meticulously gilded with pure 24-karat gold, this small yet powerful representation captures the serene presence of the Buddha of Infinite Light, a central figure in Mahayana Buddhism. His gentle smile and tranquil posture radiate peace, inviting contemplation and spiritual solace. The intricate details of the sculpture, from the ornate crown adorned with symbolic elements to the delicate ornamentation of his robes and jewelry, speak volumes of the artisan's dedication. The golden sheen of the statue embodies Amitabha's infinite wisdom and compassion, illuminating the path to enlightenment. The seated posture, with hands in the meditation mudra, further emphasizes his profound state of inner peace and mindfulness. ––––––––––

The Luminous Realm of the Pure Land

Amitabha Buddha is revered as the ruler of the Pure Land, Sukhavati, a celestial realm described as a place of immense bliss, free from suffering and rebirth. According to Buddhist lore, those who devoutly chant his name and aspire to be reborn in Sukhavati, with sincere faith and joy, will be met by Amitabha and guided to this enlightened existence. This belief has inspired countless followers for centuries, making Amitabha one of the most widely venerated Buddhas. His radiant light is said to dispel darkness and ignorance, guiding all sentient beings towards liberation. The presence of such a statue in one's home or meditation space is believed to bring blessings of long life, good fortune, and spiritual awakening, mirroring the luminous qualities of Amitabha himself. ––––––––––

A Sacred Offering from the Himalayas

Handcrafted in Nepal, a land steeped in Buddhist tradition and artistry, this statue carries the spiritual energy and cultural resonance of its origin. The dedication and skill poured into its creation by Nepalese artisans are evident in every curve and embellishment. Each statue is a unique expression of devotion, designed to serve as a focal point for meditation, prayer, or simply as an object of beauty that inspires inner peace. The choice of materials – durable copper and lustrous 24-karat gold – signifies the enduring nature of spiritual aspirations and the preciousness of the path to enlightenment. This statue serves as a tangible connection to the ancient wisdom and profound teachings of Tibetan Buddhism, brought to life through masterful craftsmanship.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.

At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.

The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.

The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.