Tibetan Buddhist Deity- Guru Padmasambhava with His Chief Disciples (Framed with Dragon, Deer and Auspicious Symbols) (Wall Hanging)

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Name: Tibetan Buddhist Deity- Guru Padmasambhava with His Chief Disciples (Framed with Dragon, Deer and Auspicious Symbols) (Wall Hanging)
Brand: Exotic India
SKU: ZAF43
Price: 555.00 USD
Availability: InStock

$444

$555

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Specifications

	ZAF43
	Repoussé on Copper with Inlay
	Height: 11 inch
	Width: 14.7 inch
	Depth: 0.5 inch
	Weight 1.21 kg

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MADE IN INDIA.

The Lotus-Born Guru

This stunning wall hanging offers a glimpse into the heart of Tibetan Buddhism, portraying Guru Padmasambhava, also known as Guru Rinpoche, a pivotal figure in the transmission of Buddhism to Tibet. Revered as the "Second Buddha," Padmasambhava is not merely a historical figure but a living embodiment of enlightened wisdom and compassion. He is credited with subduing the local spirits and deities who initially resisted the new faith, effectively paving the way for the flourishing of Buddhism in the Land of Snows. This repoussé panel depicts the Guru seated in a meditative posture upon a lotus throne, his serene countenance reflecting the profound peace he embodies. He is surrounded by his chief disciples, their presence underscoring the importance of lineage and the continuation of Buddhist teachings.

Craftsmanship and Symbolism

Crafted using the ancient repoussé technique on copper, this piece is a testament to the skill and dedication of Tibetan artisans. The intricate details are brought to life through careful hammering from the reverse side, creating a raised design that is both visually striking and tactile. The copper is further enhanced with inlay, likely consisting of fragments of turquoise and coral, adding vibrant color and preciousness to the artwork. The frame is embellished with auspicious symbols that are deeply embedded in Tibetan Buddhist iconography. Dragons, mythical creatures symbolizing power, protection, and wisdom, wind their way along the border. Deer, often depicted in pairs, represent harmony and longevity, while other auspicious motifs further amplify the positive energy emanating from the central figures. The presence of two disciples standing beside Guru Rinpoche are likely to symbolize the two main consorts of Padmasambhava namely Mandarava and Yeshe Tsogyal. They were accomplished tantric practitioners in their own right and were crucial in the spread of Guru Rinpoche's teachings.

A Portal to Tibetan Spirituality

More than just a decorative object, this wall hanging serves as a portal to the rich spiritual heritage of Tibet. It invites contemplation and reflection on the teachings of Guru Padmasambhava, offering a tangible connection to his enlightened presence. Placing this artwork in your home or meditation space creates an atmosphere of peace, wisdom, and protection. Let the presence of Guru Rinpoche and his disciples inspire you on your own journey towards enlightenment.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.

At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.

The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.

The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.